Frankly I don't understand the craze for the (relatively) expensive low-fi colour films especially when they're invariably scanned and not wet-printed.
If ORWO and their partners have the ability to produce a two versions of the same film, one C41 and one ECN-2 (ie one without the remjet, I guess) that's quite useful.
FWIW, it is merely a coincidence that the current ECN-2 film stocks also rely on remjet for anti-halation. Remjet happens to be a good solution for anti-halation, static control and lubrication when one is running film at fairly high speed through movie cameras.
You could have ECN-2 film without remjet without any effect on the ECN-2 process.
And you could certainly have remjet on non-ECN-2 films - Kodachrome being the most common example.
Yes this brings us to the main philosophical question of the 2020s decade. When does marketing become outright old-fashioned lying?
pentaxuser
Recent batches of Cinestill film have been supplied to Cinestill by Eastman Kodak without any remjet.
Cinestill must buy a lot!
The halation comes no extra charge
Remjet happens to be a good solution for anti-halation, static control and lubrication when one is running film at fairly high speed through movie cameras.
You could have ECN-2 film without remjet without any effect on the ECN-2 process.
And you could certainly have remjet on non-ECN-2 films - Kodachrome being the most common example.
why would ORWO produce a high speed daylight-balanced film for the pro cine market? There’s no purpose for that to exist.
Wells there's Visions 50D and 250D. Surely the kind people in Rochester thought about this before they developed and marketed two products for this non-existent niche.
A daylight balanced film makes perfect sense to me:
* It can be used as it's intended to be; think of productions like Lala Land, which AFAIK is at least partly shot on daylight balanced film
* With today's dial-a-temperature led lighting, it can be used with artificial light
* You can sell it to still photographers, who today are virtually only accustomed to daylight balanced film (and many are willing to cross process).
Is Shanghai not located in Germany?
nein/不
was just kidding
C41 colour cine film
"Our WOLFEN photo films are currently being confectioned into 36 EXP Industry standard DX coded steel canisters at our Shanghai facility."
Manufacturing film raw stock in Germany and sending the master rolls or pancakes to China just for converting into type 135, if this is what Orwo mean, seems bizarre to me.
Furthermore it contradicts what Orwo indicated so far on their film manufacture. Mirko already hinted at this contradiction recently.
It seems that Orwo and Shanghai have a business relationahip since 2019 or so. GP3 100 and 400 would be Orwo films confectioned by the chinese company.
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