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Kodak films direct from Eastman Kodak (was: Kodacolor 100. New)

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brbo

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Maybe, or maybe they'd sell more. I often want a higher speed film just for casual photography or in a point and shoot, and I can't justify paying Portra 800 prices for that. So I never buy it, but I would buy a cheaper 800 speed consumer level film.

Here's Santa (Color 800)!

Response here on Photrio was, as expected, abysmal.
 

thinkbrown

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Here's Santa (Color 800)!

Response here on Photrio was, as expected, abysmal.

Hadn't seen that, but at least where I am in the US the pricing doesn't make sense. Lomo 800 for $19.30/roll, santacolor 800 for $21, while Portra 800 is available for $17 from FPP.

If Eastman Kodak could offer a consumer 800 iso film for closer to $12-13, that'd be a more interesting proposition
 

brbo

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Try to think about (SantaColor 800) from a different point of view.

Respoolers obviously can get high quality film from Kodak and if they can get it into cassettes, canisters and boxes in Germany and still be 30% cheaper than comparable Kodak or Lomography in EU...


But, yeah, you folks living the Golden age in America and still complaining that Portra 800 costs 14 EUR... kinda brings me down that I get excited about cheaper film over here in Europe. 😀
 

Agulliver

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Hadn't seen that, but at least where I am in the US the pricing doesn't make sense. Lomo 800 for $19.30/roll, santacolor 800 for $21, while Portra 800 is available for $17 from FPP.

If Eastman Kodak could offer a consumer 800 iso film for closer to $12-13, that'd be a more interesting proposition
If anyone can offer a decent consumer 800 ISO film for that kind of price, I'll be all over it.
 

MattKing

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FWIW, my reliably informed understanding is that Eastman Kodak is being very tight lipped about what the exact nature of these emulsions is.
So any speculation out there remains speculative :smile:.
 
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Looks like they're not done yet, Eastman has added Ektar and Tri-X as a separate line of "professional films".



So it's not just the consumer film getting the Eastman treatment, and leaves the door open for the other currently Alaris-only films.
 

polaromar

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Wonderful! This aligns with some of our predictions earlier in this thread, that EK will be taking over film distribution for North America.
 

MattKing

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Wonderful! This aligns with some of our predictions earlier in this thread, that EK will be taking over film distribution for North America.

Or at least the USA.
 

Cholentpot

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Wonderful! This aligns with some of our predictions earlier in this thread, that EK will be taking over film distribution for North America.

Hopefully this allows them to get creative and start bringing back some dead films. I want some Panatomic-X and an E6 Kodachrome. Don't care about authenticity, just for fun.
 

2ndGenNikonian

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Hopefully this allows them to get creative and start bringing back some dead films. I want some Panatomic-X and an E6 Kodachrome. Don't care about authenticity, just for fun.

If EK starts resurrecting old films again, my money's on Plus-X being first. Plus-X fills a medium-speed niche that's currently empty in Kodak's traditional-grain films. While a return of Panatomic-X would be sweet, it's niche of extremely low grain is filled by T-Max.
 

Lachlan Young

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If EK starts resurrecting old films again, my money's on Plus-X being first. Plus-X fills a medium-speed niche that's currently empty in Kodak's traditional-grain films. While a return of Panatomic-X would be sweet, it's niche of extremely low grain is filled by T-Max.

125PX (unless they decide to do TXP in rollfilm) is realistically the only other BW emulsion Kodak could relatively easily bring back, as it was reformulated for B38. That reformulation (and it being therefore potentially in the emulsion making system) is the key to anything being even theoretically revivable. All the other E-6 films would depend on how much they could technology share with the revived Ektachrome's revised couplers.

Some people also need to get real about the fact that Panatomic-X wasn't much better than PX in the 1980's, never mind the 2000s 125PX - TMax 100 runs rings round Panatomic-X.

That said, it would be interesting to see where combining the B38 Plus-X emulsion & the relevant bits of sensitising knowledge that went into TMax 400 would end up.
 
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Cholentpot

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If EK starts resurrecting old films again, my money's on Plus-X being first. Plus-X fills a medium-speed niche that's currently empty in Kodak's traditional-grain films. While a return of Panatomic-X would be sweet, it's niche of extremely low grain is filled by T-Max.

Wouldn't complain about getting Plus-X back. However, Eastman has to understand it's not about niches in usefulness anymore. It's about appealing to nostalgia and 'fun'. Kodak can put out 5 different 100 speed films that differ slightly and have wild packaging and they'll sell like hotcakes. Need I remind you the best selling camera of 2025 was the Charmera.

125PX (unless they decide to do TXP in rollfilm) is realistically the only other BW emulsion Kodak could relatively easily bring back, as it was reformulated for B38. That reformulation (and it being therefore potentially in the emulsion making system) is the key to anything being even theoretically revivable. All the other E-6 films would depend on how much they could technology share with the revived Ektachrome's revised couplers.

Some people also need to get real about the fact that Panatomic-X wasn't much better than PX in the 1980's, never mind the 2000s 125PX - TMax 100 runs rings round Panatomic-X.

That said, it would be interesting to see where combining the B38 Plus-X emulsion & the relevant bits of sensitising knowledge that went into TMax 400 would end up.

Yes but PanATOMIC-X has a cooler name. Go checkout the film photography project. They move film based on the silly names they give 'em. They admit that calling a film Wolfman or Frankenstein sells far better than calling it Astrum 100. It's all about branding now.
 
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