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Murray Kelly

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Looks good, Schyter. There is more shadow detail than at first look.
Thornton used metol and IIRC Crawley preferred it over phenidone for grain and gradation.
Thanks for that.
 
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Alan Johnson

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Foto Ludens

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For what it's worth, I recently shot a roll of Rollei Retro 400s, which I am given to understand is Aviphot 200, and developed it in 510-Pyro 1:100 for 8 minutes (77°F) with good results. Rating at 100 ensured good shadow details, and the development time kept highlights from blowing out (when scanning with an Epson V600).

Here are a few finished scans:
677x1000x2.jpg

677x1000x2.jpg

1000x674x2.jpg

These were shot with a Lomo LC-A.
 

Foto Ludens

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I have to say, I'm really enjoying the results I'm getting from this film in 510... I just might have to get myself a bulk roll of it!

1000x673x2.jpg

1000x674x2.jpg
 

Foto Ludens

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Yup, I developed it for 8 minutes at 77 Fahrenheit (25 Celsius). Interestingly, when I looked for a time with 510 Pyro in the MDC app (on Android), i found none. So I used the D76 times as a ballpark for 1:100 times, as is standard for 510, and corrected the time for my water temperature. In hindsight, 7 minutes (11min x 0.64, to correct for higher temp) would probably yield better contrast for printing on VC paper, but for scanning purposes 8 minutes was fine (highlights were not blown, though I inverted the scans at a gamma curve equivalent to grade 00 and worked on the contrast in post).
 
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Alan Johnson

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The more contrasty Adox CMS20 @EI 20 can be developed in MeCD4 3m +3m 25C but needs reduction in contrast when scanning if conditions are sunny, see the series "Dengie" here:
https://www.flickr.com/photos/98816417@N08/51508765480/in/dateposted-public/
The CMS20 negatives so developed may be printable on silver gelatin if taken on dull days or ,for all conditions, using the proprietary Adox developer.
 
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Alan Johnson

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Of the Aviphot derived series I found Adox HR-50 to be OK for handheld 35mm with a yellow filter on sunny days, a 100 ISO film would be my preference for dull summer days.
These were shot at EI-50 in anticipation of some contrasty scenes:
https://www.flickr.com/photos/98816417@N08/
Time for development in MeCD4 was 3m +3m 25C , corrected for lower temperatures using the Ilford chart.

Thanks to AgX for noting that Adox HR-50 developer appears to be the same as Spur TRX 2000, which only claims rather low EIs for Rollei Retro 80s (EI=25) and Aviphot 200 derivative Rollei Superpan 200 (EI=80).
https://spur-photo.com/wp-content/uploads/Data-sheet-SPUR-TRX-2000-07.08.19-1.pdf
MeCD4 is similar to the discontinued Emofin, which used to give me 1 stop more speed so my claim of higher EIs for these 2 films may be true but has not been checked with a densitometer.
 
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AgX

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Yes, the Aviphot 80 is rated in the pimped Adox version (with Speed Booster) at EI 50 in the dedicated developer, which only gives a rating of EI 25 for the unpimped version.
 
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Alan Johnson

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https://www.flickr.com/photos/98816417@N08/51558328910/
For the more contrasty scenes like this Adox HR-50 at EI 50 in MeCD4 gave a density range just covered by my scanner on auto and which would probably print OK on silver gelatin paper.
I hope to test Rollei Retro 80s later to see if my MeCD4 developer based on the old Emofin technology will give a higher EI than the EI=25 quoted by Spur.
 

Foto Ludens

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https://www.flickr.com/photos/98816417@N08/51558328910/
For the more contrasty scenes like this Adox HR-50 at EI 50 in MeCD4 gave a density range just covered by my scanner on auto and which would probably print OK on silver gelatin paper.
I hope to test Rollei Retro 80s later to see if my MeCD4 developer based on the old Emofin technology will give a higher EI than the EI=25 quoted by Spur.

Good to know that their speedboost delivers! Your scan seems quite grainy, though, as my experiences with Aviphot 80s (Rollei 80s / RPX 25) are virtually grain free and smooth:

D3k3Rsh.jpg


Is the grain an artifact of the scan/post processing, or is that a characteristic of the developer you're using?
 
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