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what is the last thing you developed or printed

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From five rolls of exposed, undeveloped Verichrome Pan a friend found in her folks house while cleaning it out. Much of it has some fairly heavy fog, but ran it in HC-110b at 65° and have usable image. I've not heard back, but I believe this is her in Orleans VT about 1971-2. Her younger daughter looks her spitting image. The four rolls I've run so far have some images of a trip to NYC (from before the Interstate came here) and some landscapes – and, of course – some shots of the dog. Been a fun morning!
 
tested making interpos dupes from colour negatives onto lith film. turns out you need lots of exposure, but orange mask gives you a desirable flatness in the positive. hmm.
 
tinted retina print made with hand coated paper
of a cyanotype photogram being made

and you can see the invisble rays of light (yellow)
 

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I printed some of the new Sinister Idyll images in palladium - double coated on Hahnemuhle Platinum Rag. Developed in potassium oxalate.

Very, very nice. Nice tonality too.
 
a couple of photograms and a pair of waxed paper negative prints
they were all cyanotypes ( the paper negative one took about 9 hours to expose )
 
If you are patient enough! The image took between 15 to 20 minutes to show up with decent blacks!
And don't forget your antifogging agent!
 
I finally got around to finishing a test of all my enlarger lenses. Nothing too fancy, just racked the LPL as high as it would go (18x27" with a 50mm) then printed the center. I will probably post the results here if I ever get around to scanning them.
 
I was messing about with a pair of identical enlarged negs and found something unexpected, so I thought I'd make a print from them.
If you're obsessy about "the fine print" this ain't for you ...
IMG_20161012_200341.jpg
 
couple of waxed negative cyanotypes ( 2day exposure ) and photograms to use up
my old coated paper.
 
a salt print on a new kind of paper. It made the weakest print I've ever seen, didn't even wash it, just straight into the bin. I wouldn't have believed a salt print could be that weak if I hadn't seen it with my own eyes -- made with arrowroot sizing that on a different paper made the strongest prints I've ever seen. Go figure.
 
Papers can be wildly unpredictable...it can really drive you nuts sometimes!
 
made a few
dupes of the
same negative at different contrasts. and made a
couple of negatives from dupes I made the other week
 
Just developed 4 rolls of 120 Tri-X. HC-110, 25ml syrup to 30 oz water for each double reel tank. 75F for 8 minutes. They are drying in the bathroom.

Mixed results...Negs look great, but my Rolleicord decided to stop counting frames and I had to guess when to start the roll and how far to advance to the next shot -- and when to stop. A later model with no red window.
 
Four more rolls developed, cut up and into sleeves. Two from Joshua Tree last March (both out-dated Tri-X with plenty of base fog), and two from last week (both new TMax400) in thick fog along the Mad River (used the Minolta TLR since the Rolleicord is not working proberly). Looking good! Nice to get something photographic done!

Time to haul out the platinum supplies again! Though some 8x10 work is coming up in the redwoods!
 
5 more negzes from pozzes.
 
20 proof sheets from 5x7 negs, OSG RC Pearl - negs developed for alt pro prints so they are dense. Use a #58 green filter under the lens during exposure; in this case 32 seconds at f8.
 
_20161024_174418.JPG
 
Nothing as interesting as some of the previous. First from the new to me Pen EE-S, CHM 400 rated at 200 in Rodinal 1:50, result, 77 decent looking little negs of the medieval part of my little home town.
 
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