what is the last thing you developed or printed

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goros

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These came out yesterday, after toning. The images you see are phone pictures of the prints, so the tones are slightly different.
 

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pdeeh

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I made two prints using Namias' sepiaprint process, 10x8 contacts from an altered/reworked paper negative, prepared from a 35mm negative via interpos.
 

jeffreythree

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I processed a test roll of mystery film in the form of a couple of Porter's ISO 400 bulk rolls picked up off here from another member. I used 510-pyro and results look pretty good at box speed, and only frame numbers are printed with no hint of a brand.
 

TheToadMen

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mooseontheloose

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I shot and developed my first roll of New Seagull 100. So far it looks good - the negs are still drying as we speak.
 

baachitraka

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APX 100 in PC-TEA for 7'30" @20°C.
 

Vaughn

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Four rolls of 120 TMax400 in HC-110...32ml concentrate to make one liter (basically, Dil.B for two rolls of film in a tank). At 72F for 7 minutes...processed for platinum/palladium prints. I'll up the time a little for the next batch. Some oldies (my backyard a year ago) mixed with more recent from walks along the river at high water this past winter.

Another twenty rolls to go -- Four from Joshua Tree in February, couple rolls from the Oregon coast, 3 rolls or so of Cornell University and area, and several rolls of various places along the Columbia River Gorge (a roll or so at the Stonehedge replica) and other parts of eastern WA.

The Rolleicord is a fun little camera.
 
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baachitraka

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10 prints on Agfa MCC 110 using Adotol NE.
10 prints on Forte Polygrade using Moersch SE5 Lith.

Negatives were made using PC-TEA and film was APX 100.
 

Kawaiithulhu

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Experimenting with a 10 year old roll of unrefrigerated Tri-x 120, Xtol 1:1 @ 75deg and 7:00 minutes rotary. Subject doesn't matter, I'm still practicing after many years away from photography and just happy that I can find mid-tones somewhere in the middle again :angel:

yKlgQs5.jpg
 
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Some good old HP5+ in FX-39. I really love this film and developer combination.

1603XX-02edit.jpg
 

kreeger

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This is a shot I made in the late 90s, but just now getting around to printing. This was made near Lentner, Missouri on US36, an old
Farmer's coop building. It has lots to study and shows many years of the building's evolution.

Tri-X Pan pro, 4x5. Zone VI Wista field camera, Nikkor 120mm SW, 1/60@F16, Yellow Filter. HC-110B, Kodak Polymax Fine Art FB Paper, No Filter, 2.5 min development, Ilford Mulitgrade Developer.

Image produced from scanned original silver print.
 

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baachitraka

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Here's an example of the Fomapan 200 film, processed in ADOX FX-39. Someone asked about that a while back, but I can't find the post.
The lightest picture is EI 50, the middle one is EI 100, and the darkest is EI 200 (box speed). I like it best at 50, honestly, but there's plenty of shadow detail in the EI 100 frame. I don't think I'd use it at 200.

View attachment 156971 View attachment 156972 View attachment 156973

Loosing two stops is not very attractive but the price is right for that film.

Can you able to get the box speed of HP5+ with FX-39?
 
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Loosing two stops is not very attractive but the price is right for that film.

Can you able to get the box speed of HP5+ with FX-39?

I have not found any developer that gives me box speed with Fomapan 200.

Ilford HP5+ can be shot at box speed in normal contrast using FX-39.
 

baachitraka

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I have not found any developer that gives me box speed with Fomapan 200.

Ilford HP5+ can be shot at box speed in normal contrast using FX-39.

APX 100 in 135 and HP5+ in 120 are my personal choice. APX 100 sells for €3.45 in a local drug store here.
 
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APX 100 in 135 and HP5+ in 120 are my personal choice. APX 100 sells for €3.45 in a local drug store here.

Nice! I love HP5+ and it's my go-to film in both 120 and 135. If you photograph in normal contrast but use older lenses that don't have the latest modern multicoatings on them, you have more flare and can often shoot film at EI higher than box speed and still get perfect shadow detail. :smile: But 400 is usually good enough. Anyway. Have fun!
 

Vaughn

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Another 4 rolls of TMax400 from the Rolleicord. HC-110, Dil.B 75F for 8 minutes -- seems to about right (for pt/pd prints). Some images from both left and right sides of the country (Yosemite, CA and Ithaca, NY). Only 11 rolls left to process -- including 4 rolls of Tri-X that have "JT" on them (Joshua Tree Nat. Park last February)!
 

nosmok

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My last roll of 828 Verichrome Pan (expired 1974) in Caffenol-C, replenished so more like CCM, at Bernie Sanders' appearance in Lincoln Park. Looks like it came out great. And always fun to have guys carrying Rolleiflexes look at my Kodak Bantam and say "What the heck is that?".
 

TheToadMen

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Two rolls of Adox CHS II 100 in Rodinal, taken with my Texas Leica (Fuji GW690III) two weeks ago. 6x9 is nice.
Could you show us please? I wonder how the Adox CHS II 100 in Rodinal looks like. Good combo?
 
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Could you show us please? I wonder how the Adox CHS II 100 in Rodinal looks like. Good combo?

Sure, I can scan it (hopefully this week), I'll add it to my TODO-list.

It's just another combination. If I happen to develop my 35 mm rolls of Adox CHS II 100 I think it will differ more than when using 6x9. I've printed a few 6x6 frames CHS/Adonal and I like it, but there is nothing fundamentally different from the others I've used. It's just film.
 

tomfrh

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A roll of very expired delta 3200 which I sacrificed to practice/test a Rolleicord Va TLR I just bought.

I have no experience with older cameras/TLRs, and I kept forgetting to wind the film on, so ended up with accidental double exposures, which was kind of fun to discover!
 
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