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Let me be the second to welcome you to Photrio. Welcome to APUG Photrio!!

OP Welcome to APUG Photrio!!

You meant Sunny 22, not Sunny 11. Sunny 11 would have been halving the ASA.

On my recent week long trip to San Francisco, I took my 30mm Fisheye and the 903 SWC only for walking around the city. After a while the Fisheye got to be really HEAVY.

Look it up yourself. Kodak was barred from owning cameras companies and doing other things. The court orders still stand. PERIOD. What is so hard to understand about that?

Kodak at one time owned Graflex and Graphic and as a result of the loss of a court case, Kodak was considered a monopoly, stripped of those two companies, prohibited from selling film with processing in the US. That decision still holds and Kodak cannot by or take over a camera company. This...

I had to buy multiple red lights and brighter red lights for the dry darkroom and the wet darkroom.

Sure, why not. As long as the package is whole and has no leaks use it. If it has crystalized or turned color, check back in with us. I have used old packages of photochemicals.

Thus the popularity of the A-1 Skylight filter for warming up Ektachrome. I liked to say the Ektachrome gives us the skies we remember, many not as they really were.

Gee, you are just like the rest of us after all.

I tend to buy paper closer to the size prints I intend to make. I therefore buy larger size paper for making the larger prints only.

Welcome to APUG Photrio!!

The film market has for most of the 20th century has been a market of sell the camera and lens or lenses and the customer keeps coming back for film, processing or chemical and paper. The customer keeps returning. Digital market has been sell the camera and a lens and the customer may come...

I am with Matt on this one.

Welcome to APUG Photrio!!

I save the cut off leaders for testing the developer before starting the development process.

MacBeth by William Shakespeare: Out! Out, damned scratch! Boil, boil, trouble and toil! Out! Out, damned scratch!

Finally, someone who understands! 🙇‍♂️

Save the tags from previous times. I keep a box of them.

I will be taking color C41 photographs and I will not take a Jobo processor with me. I will ship the film back.

I do not like to work with development times less than 5 minutes, so if the time gets that short I find work arounds.

Oh, so if one is overseas for three weeks to a month, they should spend one week running around buying chemicals and dragging part of their darkroom in their luggage. Then arguing with the customs inspectors.

Stephen Shore very clears states from the beginning and all through the video that he is talking about seeing and he does not use the word art.

The small tabs are on the boxes of five rolls.

As I posted in post 11, back lighting does not work well with IR film, @MattKing's comment ignored since massive bracketing and testing is a WOMBAT* as outlined in post 11. * Waste Of Money Brains And Time

Thanks, you saved me from making the effort to look.

There Outreach is either slightly above or slightly below none.

My thoughts too. He has some interesting approaches, but cherished? Not by me.

For a long time, sending film through checked baggage has been hazardous. However carrying a changing bag, a tank, reels, and chemicals is just not going to happen, because that means I get to waste time with checked baggage and possibly pay baggage fees. I will just mail my film, well labeled...

No one. Everyone one stating wishes is just venting.