My PC-512 Borax Developer

Andrew O'Neill

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+1!
 

Alan Johnson

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Thanks John for this info on PCM18.
I have not done enough testing with HC-110 dilutions and times . I suggest that under sunny conditions for PCM18 use those specified in the massive development chart and for dull conditions maybe develop a bit longer. Nothing special here, this is kind of a standard suggestion for any developer.

For PCM20 under sunny conditions develop a bit less than the MDC time and for dull conditions try the MDC time specified.
I will give this suggestion a try out with my next film, which was Adox HR-50.
 
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relistan

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Hey John, glad you got something you like! Glad to have helped make something people are enjoying.
 

bernard_L

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I am tempted (convenience without compromise on quality).
But, what about that ascorbic acid and the dreaded Fenton reaction. Is it a non-issue in the absence of water? Or?
This was brought up by @albada back in post 124:
but was not addressed further as far as Iknow.
 

Andrew O'Neill

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John, which film did you use in the Zeiss? Thanks!
 

John Wiegerink

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John, which film did you use in the Zeiss? Thanks!

Andy, it was an older expired roll of Foma 100 (EI64) I was using to test the old folder out. I'd post the results, but they are up at our cottage. My PCM18 is also up there, but I'm going to mix a new batch for down home here and run a roll of Arista 400 in the camera and look at those results. We'll see how it handles the grain from the Foma 400. I'll scan and post those results when I'm done.
 

Alan Johnson

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Last edited:

Alan Johnson

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Adox HR-50 has high resolution but also a high contrast in mid-tones:

To develop this I read off 9m 20C for HC-110 1+63 from the massive development chart and reduced this time by 20% giving 7 min 20C for negatives taken under sun/shade contrast developed in PCM 20 1+63.
This is as per post 377.
The resultant negatives were of rather low density but had the full range of contrast. Here is a scan:


Quite close using HC-110 times.
 

Andrew O'Neill

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At box speed?
 

JWMster

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Karl - because you asked (not because my shots are anything special by any means):

Here's a shot or two fwiw from walking with my new-to-me RB67 and pistol grip... which works better than I'd have thought. Shots with PC512 in the title are the ones I'm referring to and used Delta 400 with an Orange filter at adjusted box speed (effectively ISO 100). Scanned with an Epson 850 and Silverfast HDR 9 and cropped/keystoned in DxO software.... 'cause it's easy and I use it for Fuji digital.

 

chuckroast

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I heat PG on a lab mixer/hotplate like this one, with a thermometer supported by the upper bracket to keep an eye on temp and make sure it does not go overly high:

www.amazon.com/gp/product/B07FP8J8YV

This both serves to elevate the temperature of the mixing medium and also provides continuous stirring as you're adding the various chemical components. I didn't know that I needed one of these until I got one. Best money spent.

Obviously, you need to use the proper kind of glass to heat in this or you can get very bad glass shattering. Also, and without exception, eye, hand, and body protection should be worn and good lab technique observed.
 

John Wiegerink

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That doesn't look too bad at all. I'm not very familiar wit Adox HR-50 so I can't judge exactly what the results should look like, but your shot seems very printable.
Today I mixed a batch of PCM18 for down home here and as soon as I get some sunshine (rare in Michigan this time of year) I'm going out with that old Zeiss folder and Foma 400. I'm going to cut the roll in half and develop one half in D-76 1+1 and the other half in PCM18 1+50 at HC-110 1+47 times. Now, I'll be honest and admit I don't remember ever shooting Foma 400 in 120, so I need a little advice. I've read here that most folks rate Foma 400 at EI200 or close to that. For this test, I'm wondering if I should rate it at EI200 or shoot it at box speed? I'm leaning toward EI200? This is more to compare grain, but also want to compared shadows with the two developers. Any suggestions?
 
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relistan

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Thank you for sharing! Those are looking good
 
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relistan

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Sidd

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Alan, I have mixed 100 ml. of your DCM 18. Awaiting this weekend to shoot some roll. I'll definitely share my experience.
 

grahamp

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It has been over a year since I mixed my first batch of PC-512 Borax, and I kept a small amount of Part A unused, stored in a 100ml amber chemical bottle.

I used some the other day and the results seem to be the same as when it was first mixed. Not an especially scientific test, but I will be happy keeping Part A up to a year in future.
 

bluechromis

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I have mixer that looks similar to that. Mine tends to get too hot even on the lowest setting. So I have to turn the heat on and off.
 
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relistan

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Good to know! That matches my results as well.
 

Alan Johnson

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PCM20 [and probably HC-110] do not work with microfilm type films to give pictorial contrast, at least for practically useable EIs.
I tried Spur Ultra R 800 at EI=10 in PCM20 for the dilution and times as specified in the massive development chart for HC-110 with Adox CMS20 but only obtained underexposed shadows and blown highlights that could not be rescued electronically.

OTOH the Adox HR-50 ,Aviphot 80 modified by the proprietary speed boost process, works very well in PCM20 with the scanner on auto and likely would print on silver gelatin satisfactorily:

 
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