I haven’t had a chance to test Lomo. Could you link your video? I would like to watch it.
I haven’t had a chance to test Lomo. Could you link your video? I would like to watch it.
I shot a comparison of Kodak (Alaris) Pro Image, and Kodak (Eastman) Kodacolor 100 today. Grey Card and Macbeth charts, same camera, lens, in daylight. Processed in the same tank, printed together on some of the Endura I do most of my work prints and testing on.
Based on my results, I think they're different.
Looks like Gold 200 in 120 is on its way as well - from Photo System's website (operated for them by their distributor, Cinestill):
View attachment 413612
They also have the 35mm versions of Kodacolor and UltraMax: https://kodak.photosys.com/collections/eastman-kodak-still-film

Noticed that Kodacolor 100/200 are slowly making their way to Europe, too.
Fotoimpex has them listed (though not in stock at the moment). Price is slightly higher than ImagePro 100 and ColorPlus 200. Probably this film is also distributed directly by EK in Europe and not through KA since Nordfoto does not have them listed (as I understand they are the main KA distributer in continental Europe).
Fotoimpex had it in stock for less than a week, ans it was sold with strict limits on quantity per customer, Unless you are purchasing something else, the price per roll gets too high if you have tp pay for freight. Same problem is with Fuji slide films. When they have some, it is with a limit of maximum 2 or 3 rolls per customer. Probably these Kodak films will be available more freely in Europe in near future.
Gold 200 in EK Packaging is available to order on B and H now as well.
Word on the street here in Rochester is we shouldn’t anticipate these new releases stopping anytime soon![]()
Hopefully in 620 size...![]()
I'm probably repeating myself but 800-1600 CN film would fit rather well again nowadays. Higher speeds for P&S and low light use and folk do like grain and "vibes". And the shorter shelf life should be ok anyways.
Let's see if/when the pro films are branded under EK.
An interesting one would be a Kodacolor/MAX/Ultramax 800. The product loaded into single use cameras and respooled by Lomo and Flic basically.
But as discussed elsewhere such as the one I link below, higher speed film costs more and P800 might be well cannibalised by a consumer film.
I'm probably repeating myself but 800-1600 CN film would fit rather well again nowadays. Higher speeds for P&S and low light use and folk do like grain and "vibes". And the shorter shelf life should be ok anyways.
https://www.photrio.com/forum/threads/why-is-portra-800-most-expensive-portra.199726/post-2689586
The left over Natura 1600 is going for crazy prices, which might mean more or less it being appreciated but there is also the discontinuation factor.I totally agree with you. If Kodak were to introduce a Portra 1600 with less grain, than the current Portra 800, they'd be "on to something." I know I'd use it. Unfortunately, I doubt it's high on the R&D priority list.
Indeed, was loosely meant at that some extra grain, off colors and slight fogging add to the vibes!I can tell you that the vibe's folks don't care about shelf life. I don't and I'm not a vibes person.
Looks like Gold 200 in 120 is on its way as well - from Photo System's website (operated for them by their distributor, Cinestill):
Not necessarily a Portra 1600 as a high end high performance film but something in the lines of Gold/Super Gold/Ektapress and covers that range nicely. Or even go a bit crazy with a 1600-3200 film (Konica?).
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