Thomas, I was testing a new(well to me anyway) Hasselblad 553ELX I just got to make sure it was up to snuff in the TTL flash area. I took a roll of the cheapest film I had on hand, which was Arista EDU 200/Foma 200, and ran it through the camera. I had just the day before mixed up a liter of Beutler A-B developer. I used a presoak for 3 1/2 minutes and then ran it through the Beutler 1:1:10 with 30sec initial agitation and then 2 slow inversions every minute thereafter. There was a center strip where the density looked fine but the outer edges looked just like yours only not quite as wide. It was a test roll and I new the camera was fine and laid blame on the agitation scheme or lack there of. Never in a million years would I guess the presoak might have something to do with it, but I an't no rocket scientist so who knows. The only reason I used a presoak is so I could penetrate that anti-halation backing on the Foma films. The only other times I presoak are with Pyro/WD2D+ and Pyrocat-MC where it is recommended and there was no problem there.
As for cold temps? You could move! Seriously, you could load your tank and take it upstairs and let it set on the kitchen counter while you have a beer/coffee or two. Then just use the kitchen sink with a shallow bowl of tempered water. I did that for years before I got serious and built a real darkroom. I'm sure millions still do, will maybe thousands now that digital is here. If your better half say, "Outta here" then just do the same routine, bring your take upstairs, coffee/beer and in an hour or so back down to the dungeon and in to a tempers shallow bowl and develop it. I have a very nice darkroom, but I still use a Tupperware 8x12? storage container that allows just enough water to come up to the seam on my tank. Works great and I don't see changing it, but I will look into this "presoak thing" a little closer. Oh, and if you do use a Tupperware container just make sure it isn't one of your honey's favorites. Ask me what happens if you do. JohnW
you guys ought to read the entire thread before you post that you're confused.
Thomas, I presoak everything and never have issues because of it. There's no unique property in all of ilford's films that make them prone to uneven development. I do 3 minutes but that's with constant rotation in a jobo.
Who knows, Stone. Fact remains that it's only the brick of ten HP5+ films that have done this. Don't you think the coincidence is a little too weird considering I've shot a hundred rolls of film since last summer?
How about for the next roll, clip off about 4 or 5 inches and develop it in a tray. If you get the same uneven bits, then it's the film. I doubt it's developer related, temperature related or from pre soaking. I've used HP5 for 20 years in all formats up to 8x10 and I've never seen this. I will also add that I do not pre soak this film. I get streaks if I do. Good luck.
Just going by what I see in the scans, it looks like an agitation issue.
but it raises the room's ambient temperature.
Just in a lighter note Thomas, I know you guys in Minnesota are pretty tough and are used to the cold but working at 45F for more than a short period must be difficult
I have difficulty even to think straight at 45F
pentaxuser
I know! That's one of those things that really bother me. Had it been an agitation issue, all the other films I've processed should have suffered the same problem!
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