no one is left to process color film, the infrastructure has been removed yet people still want it ?
This is heard repeatedly from USA. Is it really so bad over there?
This is heard repeatedly from USA. Is it really so bad over there? The little, "super-convenient", one-hour processing machines which keep disappearing were low-quality with minimally-trained staff and sold on the basis of convenience. They are gone, so never mind - use centralised, efficient, professionally-monitored labs and wait three days. This works over here (Europe). Just about all towns have supermarkets or department stores which are on a collection-route for one of the big labs. If that doesn't seem convenient, just use the post with their pre-paid mailer arrangements.
Remember also that 'new' film photographers won't miss a slightly-crappy, one-hour service because the three day plan is all they have ever known. It is not an increase in difficulty for them - except compared to digital perhaps, but even then most laser-exposed RA4 enlargements, from amateur enthusiast outlets, still take a few days to arrive back with the digital photographer so there is effectively not much difference.
It is difficult to say how long Kodak-Alaris may be able to source filmstock for marketing to endusers, but I hope that the pensioners funds are enough to keep paying them their pensions. Even a last load of frozen unslit-rolls, made when the cine-film ends (next year?) would keep everyone going for seven years or so, if confectioning systems were available (for example via Harman).
The strange thing is that if we compare the interest in analogue in the U.S. and Europe based on APUG membership then in percentage terms the U.S. wins hands-down. The Europeans based on our percentage here on APUG should be the one complaining about lack of processing outlets, shouldn't they?
Is Ralf Gerbershagen a German name?
Yes. He was born in Bacharach.
This is heard repeatedly from USA. Is it really so bad over there?
Worry is a natural extension of the more basic fear of the unknown that has been naturally selected into each and every one of us over the last five million years. And for very good reasons. It's a form of abstract thinking that allows for the identification and avoidance of future threats and dangers. As such, it is ultimately a mechanism to help insure survival of the species.
In this particular case, worry allows an individual to identify conditions and patterns today that may constitute a threat to the availability of certain photographic films in the future. Correct identification of such future dangers would allow for their avoidance by the mechanism of transitioning to substitute films before the current ones disappear.
Several years ago I looked at the situation and began worrying about the future availability of Kodak Plus-X film. At the time this had been my standard use film for 30 years. Worry helped identify both the danger, and the mitigating action. I switched to Ilford b&w films before that danger overtook me. And, of course, Plus-X is now extinct. Mission accomplished.
Those who worry are proactive, and very little sneaks up and bites them in the butt. Those who don't worry are reactive, and generally have butts covered with painful teeth marks. And since danger in life is ever present, I'll take the former approach over the latter any day. It makes sitting in chairs much easier.
There is only one mad individual I know of who lives life by the credo "What? Me worry?"
Ken
Ken,
I thought that people who worry too much drop dead from stress prematurely. Then they wouldn't be able to enjoy the stocked up freezersBetter be careful there
I never heard of any health problems by living a stress free life and my butt is just fine, thanks for asking. See, in the end you switched films. Which would have been the same with a person who didn't worry. The result is the same by both parties.
Am I worried if Kodak drops dead, not really. I will just buy enough of their film to last me few years.
Am I worried that Neopan 400 is discontinued. Nope, I just stocked up my freezer with it.
Same with Provia 400X, E100G, E100VS and Reala 100. I'm not worried. Will I miss them once I run out, yes.
As long as Portra 400 or Pro400H and Ektar survives I will be fine one way or another with colour.
Worst case I will have to use my DSLR more often and maybe buy a bigger freezer. Am I worried about it. Nope, it will happen when it happens.
I thought that people who worry too much drop dead from stress prematurely...
Ken,
I thought that people who worry too much drop dead from stress prematurely. Then they wouldn't be able to enjoy the stocked up freezersBetter be careful there
I never heard of any health problems by living a stress free life and my butt is just fine, thanks for asking. See, in the end you switched films. Which would have been the same with a person who didn't worry. The result is the same by both parties.
Am I worried if Kodak drops dead, not really. I will just buy enough of their film to last me few years.
Am I worried that Neopan 400 is discontinued. Nope, I just stocked up my freezer with it.
Same with Provia 400X, E100G, E100VS and Reala 100. I'm not worried. Will I miss them once I run out, yes.
As long as Portra 400 or Pro400H and Ektar survives I will be fine one way or another with colour.
Worst case I will have to use my DSLR more often and maybe buy a bigger freezer. Am I worried about it. Nope, it will happen when it happens.
Isn't Pro400H already discontinued? Lol
No, it's not. That's how rumours start.
Sales volume (or lack thereof) drives product cancellations.Why is sheet always the first to die?
You'd figure sheet is where film shines
Sales volume (or lack thereof) drives product cancellations.
Sales volume (or lack thereof) drives product cancellations.
bars give away peanuts for free
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