That is one that I do not have.
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I've not had it long enough to fully evaluate, but my initial impressions are very good.
The 180mm Sonnar is next on my list.
That is one that I do not have.
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Correct, Ian the Russians gave the workers at the Zeiss factory in Jena 24 hours to pack and told them you will either come, or you can remain here dead, they also took all the plant and machinery with them but curiously didn't take the glass.
I've not had it long enough to fully evaluate, but my initial impressions are very good.
The 180mm Sonnar is next on my list.
I have the SWC [38mm], 50mm, 80mm, 10mm, 150mm, 250mm, 500mm. I do not shoot portraits and the 150mm is too close to the 250mm there the 150mm is my least used [almost not used].
I also have the 80mm CFE and the 50mm CFi.
The 38mm Biogon looks stunning, but the SWC seems like a hassle to use effectively (especially for precise framing). If I ever get a hankering to go that wide I'd probably opt for the 40mm FLE Distagon instead.
The 100mm also looks superb, but is very close to the 80mm and 120mm that I already have, albeit obviously with much less distortion than the former and better resolution than the latter at infinity.
I also have the 80mm CFE and the 50mm CFi.
The 38mm Biogon looks stunning, but the SWC seems like a hassle to use effectively (especially for precise framing). ...
The 100mm also looks superb, but is very close to the 80mm and 120mm that I already have, albeit obviously with much less distortion than the former and better resolution than the latter at infinity.
The only thing you need to add is another short 50+ zoom, maybe the 50-135mm f.3.5?Nikkor 24-50mm AF. Widest that I have now is 28mm, but I miss 24mm. Zoom 24-50 seems perfect for casual walking in the city.
When I bought my SWC I also had a Hasselblad groundglass that fits in place of the A12 back. That could be used for precise framing. However, the SWC is so good I just keep using it despite having other Hassys. It's great for landscapes, interiors, architecture, all sorts of subjects. It really will produce absolute straight verticals at the very edge of the frame.
The 100mm CF is what I'm missing (I have 50 CF FLE, 80C, 120CF, 150CF, 250C). I would dump the 80 in favor of a 100 always - it's their best lens.
I was just bidding on one ... but went too high :/ ... nut yes? it ia on my list.The only thing you need to add is another short 50+ zoom, maybe the 50-135mm f.3.5?
A 180 mm on 6 x 6 is very nice-mine gets plenty of use for both landscapes and portraits ( I have a Mamiya C330).I have the SWC [38mm], 50mm, 80mm, 10mm, 150mm, 250mm, 500mm. I do not shoot portraits and the 150mm is too close to the 250mm there the 150mm is my least used [almost not used].
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