JerseyDoug
Member
Leica IIIf, 50/2.8 Elmar, Foma 400, Rodinal (1:50), 11 minutes @ 69.5F.
Bit the bullet and went back to Manhattan to do some street shooting. Took my Yashica 44, loaded with Portra 160NC (exp. 2008). For the fun of it I decided to try developing at room temp, as Reinhold from Filmwasters used to do. Souped it at 82 degrees F for 11:45 per Reinhold's development chart. Blix was 8 minutes.
I'll have to work on that. "Soupenol"?You would do better to use standard C-41 development chemicals that using soup.
I'll have to work on that. "Soupenol"?
Sent a roll of Kodak Tri-X to The Dark Room. standard C-41 process. (I do not develop at home)
Nikon N75-AF Nikkor 35-105mm f/3.5 - Kodak Tri-X 400
View attachment 315034
I have been using a Nikon N75-AF since 2004 for color negative 35mm film. It works consistently well in all sorts of conditions.
I agree. My N75 gets more use than any other 35mm in my collection. My only caveat with the N75 is no ISO settings. Other than that, it performs perfectly for many shooting needs.
Some other from my N75That is why I use it for color. Sometimes I have to stop down and the N75 does the job. For black & white film or IR film where I may be using filters, I stop down from the meter reading for the filters and use the Zone System metering on the F100.
Some other from my N75
I mostly meter through the filter for B&W on the N75 and bracket if I feel the need. I find the results for the most part to be excellent. I shoot with the Yellow quite often and pretty much can dial in the exposure without a hitch. I also tend to use the Orange but mostly to grab a deep, dark sky.
Shot with Yellow (I'm not sure if I hit zone 10 here, maybe 8 and 9)
View attachment 315054
ORANGE very dark skies but contrast seems to hold up (I think the zones are covered though-out on this image)
View attachment 315055
Sent a roll of Kodak Tri-X to The Dark Room. standard C-41 process.
Zone VI camera, brass lens no ID on lens ,pure silver plate.
Developed with sun light.
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