what is the last thing you developed or printed

[pdeeh]

Made negatives from the interpos I made the other day.

 

[Vaughn]

Washing six 4x5 Tech Pan negatives. Look pretty good...film exposed last Spring/early Summer. Developed in two pkg of Technidol in 450ml water at 70F and in a 3006 Expert Drum for 10 minutes. A couple might make nice carbon prints, and a couple might be nice platinum/palladium prints.

Before I can hang them up to dry, I need to take down the four rolls of TriX 120 I developed yesterday. I used two SS double-reel (120) tanks -- HC-110, 25ml concentrate to 30 oz of water, 72F, 8 minutes for each tank. They look pretty good, too. Images taken around town and down by the river this past week. Future platinum/palladiun prints.

 

[studiocarter]

Regular 8mm Fomepan R100 movie film reversed.

 

[TheMissingLink]

Two roles of film to test my just freshly mixed Pyrocat-HD in Glykol. My new stanadard, zones are there where I put them!

 

[locutus]

Shot some art installations at the Helsinki light festival on 5x4 Ilford FP4+ developed in Rodinal

 

[NedL]

More salt print tests, with different paper and sizing combinations. My stack of test prints is growing tall.

Tonight I made an argyrotype, in what might be a novel way: I precipitated silver oxide by adding a few drops of household ammonia to a few drops of silver nitrate solution ( in a small paper cup ). Then I added the sulfamic acid to dissolve the silver oxide, then the AFC, and coated the paper. The print came out fine, but there was a little bleeding ( I don't have any tween ). Note that with this approach you would not want to make stock solutions and it is prudent to wash the mixing cup with plenty of water down the drain before discarding it, to avoid any possibility of silver nitride forming from evaporation of leftover solution.

 

[TenSpeed]

AgfaVista200 @200, stand developed in Rodinal 1:100 for an hour.
Deep rich shadows, vivid highlights, exquisite sparkling grainless midtones.
Every frame heartbreakingly beautiful in composition and limpidity of emotional tone.
The Magic of Stand ...

color film in bw stand dev? any example photos?

 

[removed account4]

sun prints and cyanotypes

 

[Cholentpot]

Old fogged Kodak paper cut square and loaded into a Richoflex VII. This is a scan of the negative.

 

[NedL]

Tried a Namias' sepia print on PVA sized glass. Nope.

 

[Larry the sailor]

2 sheets of 4x5 Tech Pan in Photographer's Formulary TD-3. First go with this developer and only 2nd time with the Tech Pan. I'm hoping to try and print later this week.

 

[NedL]

Today I am making a real salt print. What I mean is that I'm trying to make a nice print instead of just more tests. I was a bit shocked when I looked at my notes and realized that the last time I made one was in early September last year. That's when I ran out of my old batch of Lana Aquarelle and discovered that my big newer batch doesn't work. I've made over a hundred test prints since then, and am thoroughly tired of it. I've learned a huge amount, especially about arrowroot sizing, but 5 months is a long time without having a nice print in hand. Today I will print a calotype I made back in August, I've custom-cut a rubylith mask and will tone with gold-borax if it comes out well. This will be the first time I've printed a calotype using UVBL lamps instead of the sun, I hope that doesn't create some kind of karmic curse.... I'm so stubborn that if the print looks nice I'll probably make another copy when the sun comes out ( and I *know* the deepest darks will lock in better with a brief hit of real sunshine ).

 

[Martin Rickards]

Test strip and the first copy I've printed this century. Strangely enough the Neutol and Ilfospeed I've had since then still worked.

 

[goros]

One of the last prints I have been doing the last week.

 

[miha]

I'm just washing three snowy ladscape/abstract prints on Agfa MCC 1 (single weight!) from an equally old TMY 120 film. Very pleased with the result.

 

[StoneNYC]

Some 16x20 prints as examples of different methods of printing for my professor to show the rest of the students in class.

 

[studiocarter]

I hand reversal developed a roll of regular 8mm movie film, Fomapan R-100, using their tech sheet and chemicals along with Fomadon LQR. Their reversal kit was all used up. I mixed bleach, clear, and fix myself.

 

[dpurdy]

All my photography for the last 6 weeks has been making enlarged negs from 6x6, 6x7 and 4x5 original negs. My enlarged negs were exposed on my enlarger onto a 9.5 inch wide roll of Kodak 2422 direct duplicating film and processed in Kodak D-19 developer. I now have 46 new negs either 9.5x9.5 or 9.5x12 inches to print in platinum. It will take a maybe a year to print them all.

 

[pdeeh]

A roll of 70+ year old nitrate film cut down from something wider to 120, i think in the 1950s.
Shot it at about 25, developed it for about 15min in D23 1+1, with about 0.7g/litre of KBr to reduce the age fog.

Looks very nice hanging to dry.

The only problem will be that after so many decades wound tight on a spool, it's got a curl like a pig's tail set into it, and which I know from experience can't seem to be flattened out.

 

[Oscar Carlsson]

I've developed 12 sheets of 4x5" this week. Mostly calibration sheets but a few 'real' images as well. With some luck I'll have my personal development times/exposure indexes figured out pretty soon.

 

[removed account4]

The only problem will be that after so many decades wound tight on a spool, it's got a curl like a pig's tail set into it, and which I know from experience can't seem to be flattened out.

can you rub your finger across the spine of the film? seems to work with pigs

 

[pdeeh]

 

[Thomas Bertilsson]

Every frame of an entire roll of 120 Delta 400, shot by my girlfriend while being part of a ceremony of celebrating a deceased person's life. It was a heartbreaking story of a man who died unexpectedly in his 40s, and we wanted to give the widow something to remember the place and day by. Little 4x4 lith prints on Kodak Ektalure, using 8x10 papers with clean white borders. A little book will be made out of the prints and shipped to her. It was a rather gruesome and difficult printing session that required a fair amount of adult beverages to be able to get through, but now it feels like an accomplishment, and hopefully something she will cherish with time.

 

[R.Gould]

Developed a couple of rolls of Fomapan 120 that I shot today, in my old ensign autorange, negatives look great

 

[removed account4]

2 local relics made with a pair of xerox OHP negatives sheets of photo paper and 10? hours in the sun.