Oscar Carlsson
Member
I've made my first serious attempt at printing a 6x9 negative (taken with my Fuji GW690III) and whoa...large negatives are so nice!
Nothing fancy (the image might end up in my gallery here), 6x9" print on a 8x10" Fomaspeed 312 RC.
I began at contrast 2, but dialed up my magenta slider until I felt I had the shadows where I wanted them. I then made teststrips on the focal point, my friend Olle's face, until I'd reached a good exposure here. I then made teststrips for Sally's face (the secondary focal point, not in focus but still important) to see where it would be in relation to Olle's face. The work print was more than decent, but I added burn-ins on all borders (different strengths depending on subject matter), I dodged Sally's face slightly and then burned in some distracting areas.
I'm not by any means a good printer but I'm getting there. Every time I can manage a print using contrast 2 I'm pretty happy (earlier I always went for maximum contrast). Dodging, burning and making test strips is becoming very natural, and my negatives are normally more than decent. My collection of decent portraits is growing almost every session, which is the best part of it all.
Nothing fancy (the image might end up in my gallery here), 6x9" print on a 8x10" Fomaspeed 312 RC.
I began at contrast 2, but dialed up my magenta slider until I felt I had the shadows where I wanted them. I then made teststrips on the focal point, my friend Olle's face, until I'd reached a good exposure here. I then made teststrips for Sally's face (the secondary focal point, not in focus but still important) to see where it would be in relation to Olle's face. The work print was more than decent, but I added burn-ins on all borders (different strengths depending on subject matter), I dodged Sally's face slightly and then burned in some distracting areas.
I'm not by any means a good printer but I'm getting there. Every time I can manage a print using contrast 2 I'm pretty happy (earlier I always went for maximum contrast). Dodging, burning and making test strips is becoming very natural, and my negatives are normally more than decent. My collection of decent portraits is growing almost every session, which is the best part of it all.