Helios 1984
Member
2 rolls of Kodak Gold 200 in Unicolor C41 press kit, developed with my Rondinax 35U.
I know the feeling-I do enjoy shaking a Paterson tank to a nice bit of soul or funk!A roll of Ilford Pan 100 in Fomadon R09 (1+50), shot in a Minolta XG-9. Hadn't developed anything for a while, it felt good to be back at it.
Let's hope you get some sunshine to use it in...mind you I was doing pinhole on FP4+ recently, and it was quite nice to be able to leave the camera exposing while I finished my breakfast!Just developed my last three rolls of Fomapan 100 in D-76 1:1. Well, last three that were in cassettes and ready to shoot; I have another 100' roll in the fridge but I don't intend to load it for a while. I have a surplus of ISO100 film at the moment.
+2some cyanotypes that didn't work ... thankfully they are cheap as dirt to make![]()
Ha! That’s multitasking! There’s been a dearth of sunny weather in NYC recently but I’ll work my way through the 100 stuff slowly. As the days have started getting shorter I’ve been trying to find a time and agitation for 5222 double-X that I’m happy with. Getting closer but not there yet.Let's hope you get some sunshine to use it in...mind you I was doing pinhole on FP4+ recently, and it was quite nice to be able to leave the camera exposing while I finished my breakfast!
A dozen 120 Tri-X 400 in stock XTOL in the Ansel Adams Gallery lab in Yosemite this week.
Epic location! How was that workshop?
Just developed 1 roll 120 HP5+ and 1 Delta 400 pushed to 1600 in DD-X 1:4.
IME you always get so much from workshops-looking back I've really benefitted from all the ones I've done.I will start a thread on the workshop. It was worth much more than the price.
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