My own aunt had four phD's and taught Art History for a major university for decades. She also has more murals on the Natl Historic Register than any other person in history. She willed me her hand-ground pigments and rare art books, and many of her studies in various media - gosh knows who is going to end up inheriting all that next (I don't even have the space to store it here); but it must imply something. Had many long conversations with her. I wasn't born yesterday.
But no, I haven't actually read hundreds of thousands of pages of "expert opinions". Neither have you. Makes no difference. I wouldn't even bother chiming in on a thread like this one if it weren't conspicuously a "just-for-fun" harmless flypaper sort of topic attracting silly banter.
But in terms of actual photographic applications, just a couple years ago I did return with some rock art shots in remote Nevada I took mainly for sheer personal esthetic reasons. But doing so using the enhancing contrast effect of a deep green filter in relation to etched reddish rock, plus contrast enhancement during printing and toning itself, studying the resultant prints led me to some very interesting conclusions regarding the subject which nobody had noticed before. I realized I was looking at a ritualized map explaining where to set fish traps during seasonal peak runoff periods. But that was only because I had been trying to understand similar patterns in that part of the West long before. The same sort of "chicken-scratches" on rock walls by a whole different culture in another part of the world might mean something else entirely. That's what's so fun about it. Right or wrong, the prints look nice for their own sake.
That's great that your aunt was well known and respected in her field, it has never been easy in this country, for women to excel in a male dominated world. At least her murals are protected from a government designed/funded/implemented projects, the NR might help protects the murals from urban renewal situation, but not really, it's just a red flag goes up. All the murals from the WPA are on the NR Still if someone owns the property (even the government) they can do whatever they want with it really doesn't afford complete protection... in the 1990s there was a huge PUSH to put concrete non attached garages on the NR ( like not attached to someone's dutch colonial 1930s kit home, cement block. ... ) as well as diners, street lamps, lighted billboards, pay phones, you name it. it it is over 50 years old and can be affiliated with something interesting enough that is "historically significant" it might get in.
You might give Sally Price a read, it's pretty enlightening.
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