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Use of highly diluted (34g/L or less) plain fixer with film as one-shot

Millstone, High Water

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Millstone, High Water

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  • Dec 17, 2025
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npl

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If one is travelling and can't carry liquid chemicals but want to process film in the hotel bathroom, Caffenol and OP's one shot fixer can be a lifesaver even if not optimal.

Travelling with a couple of Tetenal Superfix tablets would be ideal for that case : https://www.tetenal.fr/tetenal-chimie-superfix-tabs-fixateur-film-et-papier-c2x35872401.

Stocks won't last forever but look like I could order some right now from a french online shop.

Tetenal also made a B&W film developer in tablets form : https://www.tetenal.fr/tetenal-chimie-parvofin-tabs-revelateur-film-n-b-parties-1-et-2-c2x35872400

Were they the only one doing photo chems in solid form like this ? would be great to have more choice, especially as CT scanner will be soon deployed worldwide and processing before taking off could get more and more relevant.
 
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gealto2

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Here is my recommendation, assuming your place of residence is correctly shown in your profile: take a look at Photo Formulary or Freestyle, both have offerings substantially below the price point you listed.
Thanks for the information. B+H is much closer to me, so shipping is much less from there. I'm not a poor boy who needs economic help, I enjoy experimenting and enjoy doing things my way instead of what everybody else is doing. Last winter, I mixed up sone TF2 and used with print papers and films, but myself I rarely do traditional printing. It had very poor shelf life in a full bottle. If I started using that, it would eat up my approx. 22 lbs. of hypo that I have left at about 4 times my current rate. I do alt process printing from enlarged negatives, and use a fair amount of ortho litho film for that. That film clears in less than 30 seconds in my dulute fixer. Also Xray film that I have that I plan on using much more in the near future, also clears very quickly. I talk about the economics for the sake of other people who are less wealthy. Mostly young people. I have a lifetime supply of hypo on the shelf.
If you get a neutral fixer (typically labeled "neutral" or "odorless"), then both concentrate and working solutions will last for well over a year. I still use neutral rapid fixer mixed from concentrate canisters purchased in 2020, and they were sold through a fire sale like offer, which means they have probably spent some time in the store before I bought them. Unlike acidic fixer these will not sulfur out.
Good for you.
 

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Have to say I've never heard of diluting fixer. Not sure why you would do that but hey. Interesting discussion. I use Legacy Pro B&W Powder Hardening Fixer (To Make 1 gal) for ~10. I always dump the fixer from tank back into the gallon. I use a hypo check, like Arista Premium Hypo Check every once in a great while to check for exhaustion. I have two bottles of the check (by mistake) and can't remember what century I bought them. And spend $49 at BHPhotoVideo and shipping is free. get their credit card and they pay the sales tax. So messing around diluting fixer isn't something I'd bother with.
 
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gealto2

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Once again, it's fine to state how you do something that you believe works well for you you, but it's irresponsible to try to use that anecdote against the recommendations of manufacturers and contradict what is essentially established knowledge.
Plain fixer at higher dilutions hasn't been studied because there's no reason to study it. I have studied and used it over the last years and find it interesting. It keeps much better at lower dilutions than it does at higher dilutions. My 34g/L solutions keeps for two days in partially full stoppered bottles. The standard 240g/L hypo dilutions don't even keep overnight. It's narrow minded and a bit absurd to accuse me of being irresponsible.
If @Rudeofus says that your fixer dilution will almost certainly not completely fix your film, his opinion has easily as much weight as yours. You're not offering any proof of anything other than "Looks good to me" so there is no substantial ground for argument.
Well, there's little details like 240g/L plain fixer have historically reported capacities of a square inch of film per 100mg of hypo. At my dilution, I'm almost double that amount.
Personally, I say if you can get what you want soaking your film in sea water, go for it. Has nothing to do with me. And chances are your negatives don't need to last longer than it takes to scan them or make a couple of prints - almost none do. So go ahead with the weak fix method. But don't tell others to do it unless you can objectively prove it does always completely fix the film.
If this topic has nothing to do with you, why are you insulting me and my work? Just negative by nature? You are the one telling people what to do, not me. I'm simply reporting good news and don't need to prove anything. All you need is some common sense and the desire to explore.
 
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Raghu Kuvempunagar

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koraks

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It's messing around.
"desire to explore"
Sometimes, the latter may seem like the former depending on one's perspective. I see people do things all the time that I would qualify as 'messing around', but they are simply looking for something different than I am. Let's take this into account. And let's perhaps also acknowledge that we sometimes put somewhat fancy words to fairly mundane activities. When I embark on a culinary journey into uncharted sensory territory, in reality I'm just going to cook that aubergine in a way that my wife hopefully doesn't find godawful.
 

Animalcito

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A good resource on the chemistry behind fixation can be found in "Modern Photographic Processing, Volume 1" by Grant Haist.
On page 579 there is a graph showing studies on fixation times from the 1930 with thiosulfate concentrations ranging from 50 g/l to 600 g/l. The logic behind the two times of clearing time rule of thumb is explained and that there is a difference if the clearing time is tested on a dry or wet film.
 

Don_ih

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cook that aubergine

I'll concede that photography inspires a lot of exploration, particularly when you start experimenting with chemicals in the darkroom. But some things are more like whether or not you should fully cook chicken than how hard you like your egg yolks.
 

MattKing

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A good resource on the chemistry behind fixation can be found in "Modern Photographic Processing, Volume 1" by Grant Haist.
On page 579 there is a graph showing studies on fixation times from the 1930 with thiosulfate concentrations ranging from 50 g/l to 600 g/l. The logic behind the two times of clearing time rule of thumb is explained and that there is a difference if the clearing time is tested on a dry or wet film.

Thanks for the reference to Haist. Like so many of these things, I think the controversy in this thread is more to do with the rationale behind what appears to work for the OP than the quality of the results obtained by the OP.
In general we would ask the membership to be constructive in any critical analysis they may engage in - both in respect to the results that people report and their understanding of how and why they believe they obtained those results.
I would refer to many posts over the years from two formerly active members: Simon Galley of Ilford/Harman who when asked about his choice of routine when fixing film stated that he used the method he used because that was he had always done, and Photo Engineer/Ron Mowrey of Kodak who said innumerable times that even if he wouldn’t recommend a particular technique that if it worked for someone then it was fine.
 
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gealto2,

I'm all for finding more practical and economical ways to use chemicals, especially fixer.

That said, unless you've done rigorous testing of your methods for residual silver (ST-1 or the Kodak Rapid Selenium Toner tests), you really have no good idea if your method is fixing your materials adequately or not, or to what standard of permanence.

I routinely take underfixed and underwashed test prints, dry them and hang them on my viewing board, sometimes for months. They don't discolor at all in that time, but I certainly don't think that they are anywhere near adequately fixed or washed.

Your prints might last years even, and that might be good enough for your purposes. However, if we want to get the greatest longevity from our photographic materials, we should be processing them to the highest standards possible. Testing that, with both the ST-1 (or selenium) tests for residual silver and the HT-2 test for residual thiosulfates (even though both these tests are not really laboratory quality), should give you some idea if you're achieving that goal.

If you haven't tested, you just don't know.

Best,

Doremus
 
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