Like a few others, I would shy away from the very heavy Calumet. It will make your experience in the field a lot less pleasant. I recommend a wooden Kodak which not exactly a field camera but it is a LOT lighter to carry. Even an old B&J, although they often need a bit of tightening. I use a Kodak Master 8x10 now and it is relatively light. I can easily carry it plus a few lenses in a (very large) kit bag. However, they usually sell for more than your budget, but before that I used an old wooden Ansco (I just realized that I still have it in the basement. I will send you an email).
Also depends if they are front or back movements, and if the movements are on the lens axis or not. Back movements of tilt and swing stay within the cone of light thrown by the lens.Totally unrelated. But I'm curious. I shoot a MF camera so I'm not familiar with tilts etc. When you do these adjustments, does the light falloff or is it equal across the whole film?
Also if I went with a f9 lens, would I still get some shallow depth of field and be easy enough to see on the ground glass? Also do the Fujinon 300mm f5.6 lenses have coverage and work on 8x10 cameras? These seem inexpensive enough and are well regarded in large format lenses.
How good does your Fuji 180mm cover 8x10? The info I saw says it only covers 305mm which isn't quite enough for 8x10. Can you confirm? The 180mm seems like a better choice in terms of framing for both 4x5 and 8x10. 26mm in 8x10 and 58mm for 4x5. Is there some W lenses in 180mm that are better then others? Or some I should avoid?
Outstanding purchase!!I received the camera today! It came in undamaged condition and it all looks as it should. Next step is to get the 5x7 back next month. Then later the accessories needed.
. . . $600 for camera, $300-400 for lens, and $140-200 for some film holders per 2. $30 for a new lens board.
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