If you're worried about cents per roll costs in B&W development then maybe chemistry isn't the hobby for you.
This isn't color or reversal where it's dollars of chemicals per roll costs sunk in development!
Truth of the matter from my perspective is that I've seen some horrible negatives from people using both standard and stand development, usually students who haven't gotten any smooth technique or controls down yet. (I was one of those really sloppy students, back in the day)
As far as technique goes, if you're having trouble getting quality prints from standard development practices then letting film sit for an hour is only going to make things worse. Consider that the overwhelming majority of excellent prints ever made were made using standard practices and a good eye in the darkroom...
Sorry, I don't mean to be judgmental at the beginning of the day

I think it's helpful to stand back and take a look at the entire process from exposure to final print, only then can you decide if one step along the way doesn't suit your subject matter and then intelligently search for a new step to use instead of looking for magic bullets.