@Patrick Robert James thank you for the compliment. I think I wiped too much ink off in the highlights, but overall I thought this was much better than I had any right to expect for a first print.
@fgorga you err by assuming I have room for a press or two. In fact, I have an extremely cluttered living room but living on my own I can get away with it. If I hit the Trifecta, I'm building me a studio.
@Dwayne Martin I loved those windows. They're everywhere in Florida, and yet nonexistent here in North Carolina. It never occurred to me that they might be a quirk of Florida architecture.
You can tell your windows don’t close well when a 6 inch lizard can come in at will.
Add me to the swarm of back slappingI finally printed a gravure on the Polymetaal press I found last autumn. I'm not sure why I procrastinated -- it was much easier than I had imagined. I am at the bottom of this learning curve and yet the gravure I made is on a par with my kallitype (in my Photrio media if you want to compare) of the same image.
On the theory that the right number of presses is always one more* than you currently own: I saw a really gorgeous Rembrandt Pelican press for sale locally as I was heading out the door to my daughter's wedding, for a small fraction of its replacement cost. So tomorrow I'm picking up the Rembrandt and moving it in.
_____
*Also true of cameras, canoes, banjos and assorted other temptations.
Been working on converting my alt photo workflow to a calibrated MAC/Quadtone Rip/QCDN system. finally making some headway - a print on Fabriano Artistico Hot Press, acidified, classic cyanotype. I have printed this before with a simple curve and Photo black only neg. I have to agree this one looks better, although it looks like I need to clean up some luminance noise in the sky.
View attachment 368422
Niranjan,Nice print, @KYsailor! Looks like you have nailed the whole new workflow with new computer, OS, and all fairly well.
:Niranjan
Niranjan,
Thanks, the conversion to MacOS has been painful for a long time windows user....and with the use of a fairly precise, but not that absolutely accurate measurement device ( color muse) I discovered my UV box has a hot spot in the middle....resulting in more changes to my setup....
Dave
A few from a recent photogravure printing session.....need to flatten them out a bit. The MAC/QTR/QCDN system seems to work well for direct to plate photogravure as well as other alt photo processes
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A few from a recent photogravure printing session.....need to flatten them out a bit. The MAC/QTR/QCDN system seems to work well for direct to plate photogravure as well as other alt photo processes.....
A few from a recent photogravure printing session.....need to flatten them out a bit. The MAC/QTR/QCDN system seems to work well for direct to plate photogravure as well as other alt photo processes
Nice! What paper?
Really nice. I especially like the first one.
Here's one of mine: a palladium-toned kallitype from a digital capture.
https://www.photrio.com/forum/media/acme-foundry.65851/
View attachment 369905
Here's one of mine
Tom, it's great seeing your new work! We are running a new alt print exchange at the moment, and I wish you (and @KYsailor ) had been a part of it. I hope the spring is springing up in MN.
Very first salt print.
View attachment 370147
Here is a cyanotype on Hosho. The paper is very difficult to work with. Just falls apart in the water...
Staying on the subject of cyanotypes:
Milkweed Wild Flowers.
Classic chemistry on Canson XL -
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Same as above but toned with 1% Sumac extract for 15 minutes after complete bleaching -
View attachment 370168
:Niranjan.
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