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What developer did you use? That could be a factor. Also the way they have been scanned and post-processed may be exaggerating the grain.

I use replenished XTOL, but almost any black & white developer will do.
 
Near Llangwyfan, Denbighshire, May 2024
Rollei IR750 4x5" on Gandolfi 'Precision' 5x7"
Fuji 135mm NW lens at approx f/22. Hoya R72 filter.
Scan from 11x14" print on RC Ilford.
Llangwyfan_IR_May24_small.jpg
 
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Rollei IR400 & Pentax 67ii 105mm
Canyon Overlook @ Zion Nat'l Park

Rollei IR004.jpg
 
Taken around Christmas 2005, or early January 2006. Kodak HIE Infrared film and IR-filter. Canon A1 and Canon FD 50mm.

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Alpine Groves Park, Switzerland, Florida about 15 minutes from the house.

Bronica EC-TL | Bronica 50mm f/3.5 Nikkor-H | Catlabs X Film 320 Pro 320 @ 200 | Zomei 82mm IR 720nm filter | Photographers Formulary TD-16 1:1 | 5:45m | 20C | B's Processor |



Alpine Fishing Pier by Richard Hendrix, on Flickr
 
Very nicely done. IR skies can be wonderful.
 
The Palm and the Moon

Castaway Island Preserve, Jacksonville, Florida

Bronica EC-TL | Bronica 100mm f/2.8 Zenzanon MC | Catlabs X Film 320 Pro 320 @ 200 | Home developed in Photographers Formulary TD-16 1:1 | 5:45m | 20C | B's Processor | Rotary



The Palm and the Moon by Richard Hendrix, on Flickr
 
Here are a couple from the other day of developing. One from my Zeiss Ikon Box-Tengor 56/2 and the other from my Bronica EC-TL using Catlabs X Film 320 Pro.


County Dock by Richard Hendrix, on Flickr



Moon in the Trees by Richard Hendrix, on Flickr

I confess the Moon capture was a complete accident. When we first arrive at the park we walked to the dock to look around. I noticed the Moon across the river but soon forgot about it. When editing the image in LRc I thought it was a large dust spot. The Moon is about a 1/3 of the way down on the right side of the image, close to a cypress branch. A happy accident!
 
Found in my Facebook Memories -- USS Massachusetts:
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I will look into some of them. I saw that there were literally hundreds of black-and-white developers, and I have done a lot of chemical surface processing of metal parts for the machine shop (I owned and ran a machine shop, now I teach machine tool and engineering) so handling chemicals isn't a problem-for me it's just the storage of the chemicals. My current place is small and shared so I don't have room for a real darkroom, just my changing bag. My grandad has been encouraging about being able to do developing with just the changing bag, so it looks like I'll learn developing in late august or september. (School starts in 2 weeks...)

I have a kit for making 1-quart for each bath. You would be limited in the size of tank you could use, but it sounds like it would fit your living situation. I got it free and am committed to a home-brewed D76 replenishment scheme so I just won't be using it. PM me with your address and I would be happy to pass it along. It's great that you're working with your grandad.
 
Fujica G690 + 50mm f5.6 lens + Cokin 007 (R720) filter
Efke IR820 Aura + Pyrocat MC

Blackberry campground in Oregon. I finally decided to start digging into my stockpile of frozen Efke IR820.
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Untermeyer Gardens in Yonkers, NY. May 2025.

Ilford SFX, Hoya R72, Nikon FM2n, 28mm lens at f11 with 1/2 second, lab developed.

This was my time trying infrared. I’m into it!
 

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I finally got my hands on a roll of Aerochrome after searching and searching and searching and searching…. and overexposed the whole roll by a stop and a half or so. It’s all a pink mess. However there were a few photos that were somewhat salvageable. These were developed in E6 for the beautiful slides, so post correction is pretty nonexistent.

The search still continues for another 35mm roll :/. Sadly, i think my only option going forward will be to try the trichrome method with B&W IR Film

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