That is exactly what has happened.maybe this is how they remedied the " ink transfering to the negative" problem they had? by putting 95%less ink on the paper. ...
It will be interesting to me and no doubt to all the other posters if feel you can share with us Kodak's reply. Given that not so long ago it provided 3 numbers for each neg size to cater for different red windows it does seem difficult to imagine that in deciding to delete two of the three numbers no-one at Kodak failed to ask himself why there were 3 numbers originally and what the consequences might be of abandoning two of them when rivals Ilford and Fuji did not.Done
[QUOTE="DWThomas, post: 1839236, member: 13374"... here's a before and after from my recent experience...
It makes sense that reducing the density of the numbers would reduce bleed-through. It is not clear to me how reducing the area of the ink would make a difference, since bleed-through should be a function of the concentration of ink at a given point.
Hi!The new faint backing paper frame numbers, very frustrating though they can be, are not the only source of chagrin for users of MF cameras with ruby frame counter windows. I occasionally use a Czech Flexaret Standard TLR camera (6x6), and shooting Fomapan Creative 200 with it has presented me with an annoying problem.
Just at the end of the last frame (the 12th) the black backing paper has a mysterious 7 mm hole through which a corresponding area approx. 1 cm from bottom part of the negative is invariably exposed to light (perhaps at the factory?) and consequently ruined.
I have never encountered this problem with other 120 films (Adox, Ilford, Kodak, (old) Orwo, Rollei etc.). With them, I can rely on the frame number in the ruby window showing the correct positioning of the film. With Foma 200/120, however, the film seems to be displaced or offset relative to the backing paper. So far, I have shot six Fomapan 120 films, and all of them exhibit the same defect. I can only count on getting 11 full frames per film.
Have other APUG users met with this or a similar problem? Of course I should also dearly like to know what earthly end the hole might serve.
View attachment 164746
Answer:What 100 speed Ilford (I think) B&W 120 Pan Film has black paper like the Foma without the hole?
The surface finish on the Fuji Acros backing paper looks noticeably different from the Ilford and Kodak papers too. One wonders if it may be true there is only one manufacturer but they make the stuff to customer specification. And virtually every film supplier has different type styles and so on; is that printing done by the paper manufacturer or the film maker?I know that Simon Galley once stated that there was only one remaining manufacturer of backing paper, but it seems that the black paper used by Foma looks and feels quite different from the Kodak backing. Does Foma just have a lot of old paper floating around?
Arista EDU 100 must be started sooner than the numbers in order to defeat the hole at the end.
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