A print film is a film intended to show a positive.
The Bergger statement you show, states it however as inter-negative or inter-positive film. The usual term for such is a lab-film
I find this new Bergger film neither on their company site nor on their Facebook page.
RELEASE
In 2014, it was decided by Bergger to relaunch the production of analogue films, based on silver halide technology. PANCRO400 was introduced on the market as a unique, and innovative black and white film.
Relying on this experience, it was decided to introduce a new film on the market :
BERGGER PRINT FILM
mainly dedicated to darkroom use, and especially the making of interpositives and internegatives. It is a continuous tone film, which contrast is easily under control during the processing step.
BERGGER PRINT FILM is coated on a 175 microns PET base, for an easy handling. It is mainly sensitive to blue radiations, and is almost blind past 500 nm. Consequently it is perfectly usable with a traditional darkroom safelight.
BERGGER Print FILM photosensitive emulsion is yellow tinted and is very resistant to scratches. A very efficient undercoated anti-halation layer provides a maximal resolution. The red tinted backside has anti-static properties.
BERGGER Print FILM will be available at the beginning of september in the following sizes :
sheets 4x5 – 5x7 – 8x10 -11x14
rolls 50,8cm x 10 m – 108 cm x 10 m
So one of the purposes of this film is that it enables you to make an inter-negative at say 8x10 or larger from a 35mm or MF negative in an enlarger then use that inter-positive to make a positive contact sheet. Does this result in a higher resolution print than would be possible from a normal enlargement at 8x10 from a 35mm negative? If not then the main benefit of this film will be inter-positive enlargement from 35mm or MF to say 8x10 for transparencies but without colour .Have I got this correct or are there other major advantages in using this film?
Thanks
pentaxuser
So one of the purposes of this film is that it enables you to make an inter-negative at say 8x10 or larger from a 35mm or MF negative in an enlarger then use that inter-positive to make a positive contact sheet. Does this result in a higher resolution print than would be possible from a normal enlargement at 8x10 from a 35mm negative?
I did like your other points, but this one really sticks out. Imagine taking the shot of your life with a small or medium format camera, then making a copy of the negative onto an 8x10" or 11x14" sheet, which you then use for cyanotype. Looking forward to getting my hands on this film!
- Image size manipulation of both enlargement and reduction to produce alternative process contact printing elements.
It’s been decades since I’ve had any need for internegs... but I’ve ALWAYS seen degradation resolution.... ALWAYS. I’d be pleasantly shocked if it were possible to keep that degradation beyond perception. Wouldn’t that be wonderful, though.A internegative never increases the resolution, to the contrary. But employing a high resolution internegative film one however may be able to keep the losses beyond perception.
The idea of an orthochromatic. or even just blue-sensitve film in still photography is to use it for a variety of darkroom manipulations by making deliberate internegatives. Issues here may be selective exposure, control of contrast, masking, solarisation, enlarging to a more easy to manipulate size etc...
Have a glance through an old textbook on graphic manipulations in the darkroom.
https://www.amazon.de/Schritt-zur-Foto-Grafik/dp/3776311312
A nice “analogue” alternative to a digital neg.I did like your other points, but this one really sticks out. Imagine taking the shot of your life with a small or medium format camera, then making a copy of the negative onto an 8x10" or 11x14" sheet, which you then use for cyanotype. Looking forward to getting my hands on this film!
Imagine taking the shot of your life with a small or medium format camera, then making a copy of the negative onto an 8x10" or 11x14" sheet, which you then use for cyanotype.
A nice “analogue” alternative to a digital neg.
... but a new film is fantastic news!
Is it a new film ? Similar films always have been on the market.
(A first glance at what is on offer already did not come up with a perferct match though, as far as one do with scace information.)
In any case it comes in a handy conversion, what is most important anyway.
There are several manufacturers' ranges to look at. But as said no obvious match.
If there is an eays way to control its contrast, that would be a benefit. In the long past there were as well medium contrast as high contrast unsensitized films in darkroom formats.
Payral is that box in your hands??
I am sorry Peter but I just received a picture of the box from Bergger. We all have to waite.Payral is that box in your hands??
Give feedback please!
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