eddie
Member
Google " Marked up photos by Pablo Inirio"
Maybe you need to do a poll on what people define as a digital negative. I think we (and the rest of the world) define it as a digital output on a plastic substrate for the purpose of allowing the creation of non-digital images.Rather than arguing which of the three (and probably more actually) definitions of "Digital Negative" is correct, create a tag for each of them along with a simple definition.
Arguing for a narrow definition of photography and a broad definition of digital negative seems a bit odd.That is the purpose of tags and publishing the definition of the tags. It removes the secret language and if anything creates dialog (I think I can attest to that already). It also potentially clarifies things. Rather than arguing which of the three (and probably more actually) definitions of "Digital Negative" is correct, create a tag for each of them along with a simple definition.
Not if they do, but to what degree they do or they deviate. I.e., how much modification.
Arguing for a narrow definition of photography and a broad definition of digital negative seems a bit odd.
Modification to what? A picture already intrinsically departing from reality? What are you looking for? Appreciating pictures for what they offer or put pictures and photographers in little tagged boxes with the feeling to do a service to a community who took billions of pictures without knowing what they were really doing (where is the tag?) for the last century an a half? Pathetic.
"Bullocks" thats my tag it describes everything I do.
im paying attention so i can make sure to use the wrong tags
My understanding is that "giclee" is a slang term for a particular type of "spurt".I rather trust my 56 years of French speaking than Wikipedia.
I would rather have you assist and lead![]()
I would rather have you assist and lead![]()
Imposing standards on something that is ultimately, inherently creative and fluid IS trying to force people into a mold. And since there is no governing body licensing photographers (Thank god!) there is no way to apply these standards. You'd end up with the equivalent of the PPA, where so much of the work being shown fits a very narrow pattern.
Dali said:Are you really interested in knowing if the image you are looking at "has fidelity to the original moment in time and space"? What make you think it should be the case?
i started tagging my images NSFW ( adult content ) a while ago for a while those tags got me more "hits"Lol! I would expect nothing less of you! Saying what everyone else is thinking.![]()
google Gerry Uellsman... for floating objects in spaceSo if there is a blank sky in the original image, but the final print has amazing clouds and lightning that is not a modification? I see that in the digital world at least. It is more difficult in the darkroom, but far from impossible.
i started tagging my images NSFW ( adult content ) a while ago for a while those tags got me more "hits"
im going to start tagging mystuff like that again.
OP,
my work whether it is film based or digital based is not based on truth
even when it is social or urban or architectural documentation.
there is no such thing.
good luck with your project !
The standards are not intended to define "real photography", rather give the public the information they need to understand how modified an image may be (analogous to food labeling).
Maybe a warning could be "Warning, this scanned silver gelatin print may be burned and/or dodged. Some Farmer's reducer can be used to enhance shadow detail." I think modifying an image is what makes photography fun. To me, a standard is TMI.
... and based on posts on this site as well as others, I am not alone in thinking this.
To the OP I think this whole idea stinks. I can hear the giggles now if something like this actually happened here. SorryNot sure that would be considered “modified” under the rubrics of film photography. Now, add a house to the central focus of an image. That would likely be considered a modification.
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