David Polanski
Member
Earlier this year I had to travel to the States under unfortunate circumstances. I made a point of purchasing my film and having it developed there ('shout-out for Blue Moon in Portland, OR... they're fantastic!). I didn't end up shooting all the rolls I had purchased, so I put the extra ones in a clear ziplock along with one of those warning stickers that Kodak provides for the purpose. When going through security (I was flying back home to LHR out of PDX) I handed the ziplock to the agent and asked for a hand inspection. The agent was quite pleasant and completely unfazed, no questions asked, no hassle at all. I was most happily surprised at how painless it all was. I'm guessing that this may have been in part on account of where I was flying from (urban Oregonians tend to be a rather "laid-back" sort), and so I wonder whether the experience might have been different had it been a somewhat less "enlightened" port of departure...?
Before boarding for the return flight I put a couple of the unexposed rolls in some aluminium film canisters. I haven't shot yet with any of the rolls that made the flight, but will be most curious to see if there's any appreciable difference (fogging etc) between those that traveled in the canisters vs those that stayed in their carboard boxes!
Before boarding for the return flight I put a couple of the unexposed rolls in some aluminium film canisters. I haven't shot yet with any of the rolls that made the flight, but will be most curious to see if there's any appreciable difference (fogging etc) between those that traveled in the canisters vs those that stayed in their carboard boxes!