As much as I try to see "the merits of driveway cleaner vs the raw ingredients of driveway cleaner" being a captivating conversation I don't think it will provide anyone any sort of opinion of what motion picture film will look like when used for still photography.
In an attempt to steer this thread back to its intended subject here is an RA-4 darkroom print from Vision3 500T film that was cross processed in C-41 chemistry and *gasp* driveway cleaner. It was shot in dim daylight with a Leica and a 50mm summicron, 1/60 ƒ/2.0 I believe.
That's quite well done
As much as I try to see "the merits of driveway cleaner vs the raw ingredients of driveway cleaner" being a captivating conversation I don't think it will provide anyone any sort of opinion of what motion picture film will look like when used for still photography.
In an attempt to steer this thread back to its intended subject here is an RA-4 darkroom print from Vision3 500T film that was cross processed in C-41 chemistry and *gasp* driveway cleaner. It was shot in dim daylight with a Leica and a 50mm summicron, 1/60 ƒ/2.0 I believe.
I suspect this is the reason why it's commonly sold in pellet form here.
I'm going to beg for a thread revival here.
I was looking at something from Reflx Lab and suddenly found myself down the rabbit hole of their respooled Kodak Vision 3 films, particulary 500T. Most of the photos I have come across taken with this stock are outdoor/daylight photos. I would love to see more examples of this film used indoors in tungsten-ish lighting.
Nothing in this thread that has those?
Surprisingly few. I went through the whole thread at work (while avoiding work).
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