Friends - a question about film advance:
When I load a roll of film into a cassette I always place a small Sharpie mark on the film, load the cassette, take two shots then take out the cassette to see if it has wound on. About one in every five films will not move in my LX or EC, but those ones will always wind on in my B.
Has the B got a stronger wind mechanism?
What is the cause of film not winding on in these cassettes?
I see, in Germany we would say put a “Edding” dot.Sorry for confusion, Sharpie is a brand of permanent marker pen:
I place a dot of permanent pen ink on the film so I can ensure it winds on; if I can still see the pen mark after two photos then the film is stuck.
Today the proof of how accurate your process is. I didn't have a gray card with me, so it was a gray wall.For most Minox-type cameras with manual control, exposure is easy with a small adjustment to the f-16 rule. Just multiply the ISO by 20 and that's the shutter speed for a SUNNY situation.
ISO 25 = 25 x 20 = 1/500 SUNNY - adjust as the light dims:
Cloudy w dull shadows = 1/250
Cloudy Bright no shadows = 1/125
Overcast/shade = 1/60
etc.
ISO 100 = 100 x 20 = 1/2000 SUNNY -- use a filter
Since I normally shoot B&W at 1/2 the ISO, I adjust for that too.
Also, if the tape and film are not attached to the take-up spool STRAIGHT, the film can be dragged at an angle and jam.
The best description I know is by Tristan da Cunha. Here are three pictures of how he does the alignment:Any tips for ensuring the take up spool is square?
I am buying slit film from MS Hobbies in the UK which I load myself. I'm sure it's an alignment issue as you suggest but my puzzle is why does the B always move the film when the LX will not?
Any tips for ensuring the take up spool is square?
GOATHILL sells a lot of 120 to SIX-strip Minox slitters.
I'm attaching the film myself, I just buy the slit film. I've never had a film come detached but I do suspect that i'm not always getting the film on totally square. Strange that the issue only impacts the LX and not the B.You can open up the take-up side of the cassette -- dim light is best -- and see how the film is attached.
Am I correct in understanding that a 120 roll will actually produce twelve 36 exposure Minox rolls? Six wide, and two lengths from each strip (okay, likely 33 or so actual exposures from the 15-16 inch half length strips).
Strange that the issue only impacts the LX and not the B.
All genuine Minox cassettes. The pattern is that about one in every five cassettes I have loaded will not advance in the LX but then when transferred to be B will advance. This year I shot all summer with the LX no issues but the cassette I loaded last week would not advance so it's now in the B advancing fine.Have you transferred a cassette that jams in the LX, placed it in the B, and have it advance OK? That would indicate a problem with the B.
Do all cassettes jam in the B, or does it happen just some of the time?
Are all of your cassettes genuine Minox?
When I was a kid, I wanted a Minox so I could become a spy.
Funny, when I was a kid, I wanted to be a spy so I could get a Minox.
Assuming no problem with the LX, the only thing I would do is measure the width of the film than jams in the LX. The LX might be putting a little bit more pressure on the cassette than the B. That might be all that is needed. The fact that it is only some cassettes that jam is hard to explain. Are all the cassettes the same? Minox made different styles and sizes. Are they just snapped together or taped?
Funny, when I was a kid, I wanted to be a spy so I could get a Minox.
The cassettes are taped, mostly old ones from the '80s and '90s. This has given me a thought, I wonder if the spring to assist unloading the cassette in the LX may be applying just enough pressure on the cassette so that when the take up spool is not perfectly aligned the film jams.
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