I think this falls under the general umbrella of methodology and the characteristic curve analysis. I found some interesting looking curves in Kodak's PDF document F-4001, which concerns the T-MAX P3200 film. On page 8, the characteristic curves appear to be wrong. I am attaching them here. They seem to be more for an ISO 100 film, rather than the ISO 1000-1200 that the P3200 appears to be. Another small issue is the very low B+F density, which appears to be significantly lower than the current 135 version of the film. This is not a big deal, but I thought it was interesting. I wonder if this was just an innocent mistake, and, if so, how it ended up in the wrong document.
You might be misreading the notation. -2.50 vs bar 2.5 View attachment 326791 antilog -2.50 = 0.08 , antilog bar 2.5 = 0.0016
Thanks! I have written the program from scratch, but, of course, I have used existing libraries for things like printing to a PDF device and writing PNG images to disk. I am currently working on a JavaScript-based user interface, so the program can be used from any web browser or via a mobile app.
Would it be possible to incorporate automated data entry using this device?
Printalyzer Densitometer — Dektronics
Compact budget-friendly densitometer for anyone who wants to take a more analytical approach to testing black and white photographic film or paper.www.dektronics.com
I think this falls under the general umbrella of methodology and the characteristic curve analysis. I found some interesting looking curves in Kodak's PDF document F-4001, which concerns the T-MAX P3200 film. On page 8, the characteristic curves appear to be wrong. I am attaching them here. They seem to be more for an ISO 100 film, rather than the ISO 1000-1200 that the P3200 appears to be. Another small issue is the very low B+F density, which appears to be significantly lower than the current 135 version of the film. This is not a big deal, but I thought it was interesting. I wonder if this was just an innocent mistake, and, if so, how it ended up in the wrong document.
If you plug the Printalyzer Densitometer into a USB port, it tells the computer that it's a keyboard. Thus, it can squirt measurements directly into a text file or spreadsheet. To help with this, there's a setting in the device to terminate each measurement with a carriage-return or tab (and probably other options I don't recall).
Mark
If you plug the Printalyzer Densitometer into a USB port, it tells the computer that it's a keyboard. Thus, it can squirt measurements directly into a text file or spreadsheet.
I just recently purchased one of these little jewels.....it's basically a copy and paste deal. You make your measurements, it loads the measurements automatically to a table, you click the "copy table" button when finished, then go to your spread sheet and paste the table data where you need it. It can be pasted either vertically or horizontally.
That makes perfect sense. Digging a little deeper (I couldn't help myselfYou're right the curves in F4001.pdf look weird. The "low B+F" you mention looks about 0.2 and would be a gray antihalation base. That part makes sense to me.
But you're right that the curves aren't labeled in a way that supports an ISO 800 rating. If it were 800 the film would have 0.1 density above B+F at -3.0 log mcs, and it's more like a 100 film which would have it at -2.1 log mcs (calculator).
My guess is that someone labeled the x-axis wrong.
There was one graph in post #38 that uses Bar-Mantissa notation. Fig. IV-1 Sensitometric D Log E Curve (It's from Todd-Zakia Photographic Sensitometry).
You'll see Log E markings that look like someone doesn't know how to subtract 0.3 from 0.0 (on a calculator the Log E for Step Number 17 would be -0.3 . In Bar-Mantissa notation the graph is correct to show 1 bar .7
Kodak skirts the issue by only marking whole bar or negative numbers (whole numbers are the same either way). Others like Ilford mark "relative" log exposure, just another way to steer clear of bar-mantissa
Can you tell me if it is LED based
Can you tell me if it is LED based? I have been looking at X-Rite alternatives, but usually, just ONE bulb replacement will negate any cost savings on buying an older densitometer.
The bulbs for older densitometers are getting rare and can run into the hundreds of dollars, so even if this unit cost 4x a used one, it would be more cost effective in the long run...
Yes it is. I monitored the thread wherein Derek was designing this unit, and he uses LEDs for illumination. Thus, this device should last indefinitely.
Mark
That is really a huge benefit over the old densitometers, such as my X-Rite 810. I have one spare part left, and I recently discovered that the foam inside the box rotted away, leaving a layer of goo all over the bulb. I need to clean it. I have isopropyl alcohol, denatured alcohol, acetone, and soldering flux cleaner. Just not sure which will work best.
Why graph the film base density? It has no image forming properties.
I scan my film. My scanner has a densitometer to check various portions of the film scan.
What value is that to me? How could I use this information to improve my scans?
You can use the densitometer tool like an “after-the fact” spotmeter to see what high and low densities you have in a particular negative.
Especially if you found that negative came out really nice or was particularly easy to work with.
And then you can come up with a plan to make more of your negatives come out close to that good one.
If you’re developing yourself and want to be consistent there’s a benefit. You don’t have to go all the way into the rabbit hole of test, test, test and never take any real pictures.Thanks Bill. It does seem complicated and I wonder if there's any benefit.
I'm not sure how knowing various densitometer readings would improve upon that. How could I use them to improve my current method?
If you’re developing yourself and want to be consistent there’s a benefit. You don’t have to go all the way into the rabbit hole of test, test, test and never take any real pictures.
I tell a story of a test you can do that doesn’t even waste film. You’ve heard of bracketing, right? Next time you’re out, bracket a shot two stops.
Then when you get the negatives look to see that they are about one stop apart in density.
That should work because negative are usually processed to about 0.5 contrast if you just follow the formulas.
When I shoot medium format, I always bracket my shots just in case I make a mistake figuring exposure. With 4x5 which I started during COvid, I got cheap and rarely bracket. What does the .5 contrast tell me?
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