Well, I haven't been too active these last 3 years. The death of my main films and developer combinations that were working great have taken far too long to re-produce. And somewhere I lost momentum. Currently, I am trying with some Rollei films. My main stays were 125PX, Neopan 1600 and Kodachrome. Fall back was Pan-F from Ilford and I'm still using that one at least.
The news about Ektachrome and statements about Kodachrome really got my attention. Kodachrome was the main color film. The decision by Kodak Alaris dumbfounds me for two reasons:
1.) Why bring back a product that is available basically from Fuji?
2.) What is the background behind bringing any films back at all? What are the criteria and how will they proceed?
Kodachrome is one of those few products that has a very strong "authenticity value" and strong iconic, emotional links. I returned to it in 2005 realizing the value. The story went like this: my parents house burned down, I found the one family picture I could remember from the 80's. Don't ask how I managed to find a slide in that mess... Happend to have been taken on Kodachrome (didn't remember that). In spite of the fire and cracking it scanned very well in beautiful color.
Basically, I don't trust Kodak, and quit "auditioning" any of their films considering them an unpredictable risk. This announcement has me at least interested again. They should explain and try transparency and honesty with the customers about which film, why and what are the conditions. I depend on the film maker and need some level of predictability. It takes far too long for me to dial in a new film and process that is the result of some whimisical CEO decision to "invest in a new direction."
One thing is for sure, if they bring back an E6 film as a new "Kodachrome." They will eat through any goodwill they started to regain by bringing back Ektachrome... That will feel like a lie. Just tell me the facts why after evaluation it's not possible.
Just my 2 cents.
Oh, attached a scan of one of my last KR64 shots. It's a scan that also has some element of pastels, even though it is the last batch of Kodachrome. No problems to scan, no dust, what are the guys around here complaining about? The scanning idea with developing at Kodak is brilliant by the way. If it were high quality, I would do it as convenience, even though I can scan.