480sparky
Member
Kodachrome 64 developed in caffenol:
Scanned, desaturated and reversed:

Scanned, desaturated and reversed:

Professional printers are the ones who noticed a lot! It was also photographers buying the "big bickie" prints that also created the most hue and cry with surface imperfections that appeared undetected after printing. Crimping, scuffing, stickiness, wrinkles, separation of base material, contrast irregularities... a very long list! Sometimes entire rolls had these and any manner else of problems and were summarily ripped out and sent back, with weeks and weeks passing before any replacement stock came, and then oftem the same problems were discovered.
But, on a serious note - OMG People, what are you thinking. This ain't gonna happen.
PE
That's interesting. In 20 years of reading Ilfochrome threads I don't recall ever hearing about such a list of persistent problems, although (in light of the below) I guess I must have read about them when you mentioned them 6 years ago. I googled Ilfochrome qualty control problems and the first thing that came up was an old post of yours on Apug complaining of the same problems. Not much else popped to the top.
a reversal film that has somewhat the look of 1960's Kodachrome, but can be E6 processed.
If the (Adelaide/South Australia) printer was still around, their lengthy dossier on IC would make disturbing reading.
I would continue to shoot and develop it like I have been.... in my darkroom...... as the black & white film it truly is.
Yesssss! That's it. E6 dunking, not this silly, tedious mail-in/mail-back.
How does it rate as a b&w film?
Tedious... as in "reloading film on a Pentax 67"?
On the other hand what you propose is perhaps the only thing that could happen.
Come ride this clown car with us and have fun!! Why take this thread seriously?
By the way ... we've managed to find this "Ron" guy ... he has promised us to simplify K14 processing down to a simple monobath.
...OMG People, what are you thinking. This ain't gonna happen...
I don't know, Ron. I agreed with you until reading RattyMouse's post. Now that he's proclaimed "NEVER," Kodak might just be motivated to do it.Kodachrome is NEVER coming back. Film is more likely to disappear than Kodak bringing back Kodachrome.
You always are stuck with the yellow Carey Lea silver filter layer.How does it rate as a b&w film?
A major problem with Polachrome and Polavision was that they weren't really 'instant' like their still prints were. You had to shoot the entire roll of film in your camera and then run the film through a separate, special processing machine.Let's pull out all the stops (*) and go all the way to what we really want: Polachrome!
Or Polavision!
That Polaroid product was something. See all the defects? Oh well, Kodachrome ain't coming back.
And here we are repeating the Kodachrome process for the nth time! Just read the patent.
PE
If anything is going to happen it'd be a "Kodachrome III" - a reversal film that has somewhat the look of 1960's Kodachrome, but can be E6 processed.
A new film today using the K-12 or K-14 process just doesn't make sense from an economic perspective.
Oh well, Kodachrome ain't coming back.
PE
As I said then, ain't gonna happen.
More importantly, is Eastman Kodak entertaining the idea of manufacturing Kodachrome for movie use?Welll...tell Kodak Alaris, who seems to be at least entertaining the idea.
I found a reference somewhere that one person was able to soup Kodachrome.
https://en.wikipedia.org/wiki/K-14_process
I did it too. It's messy, it's fun, it takes an afternoon of preparation and one hour to perform, after all the work you figure out that you screwed one of the re-exposures or one of the four developers, and start over. Did it once, I'm satisfied for life![]()
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