Very nice! The prints on the Canson paper look especially good to me.
Congratulations! Your persistence has paid off well.I've made three prints of the same image with the following recipes:
I've made three prints of the same image with the following recipes:
Left:
-Hahnemuhle Platinum Rag
-Classic Cyanotype (CC) 20% FAC
-Paper pre-humidified before coating
-single layer coating
-exposed 4.5m
-0.25% citric acid first wash
Middle:
-Canson XL Watercolor
-Classic Cyanotype (CC) 20% FAC
-Paper coated dry
-Paper acidified in 10% sulfamic acid
-double layer coating
-exposed 6m
-0.20% sulfamic acid first wash
Right:
-Canson XL Watercolor
-Mike Ware's New Cyanotype (NC)
-Paper acidified in 10% sulfamic acid
-Paper pre-humidified before coating
-single layer coating
-exposed 4m
-1.00% sulfamic acid first wash
I feel like this is the culmination of all my efforts. Canson XL Watercolor after acidification has given me results I am very happy with. As you can see from the attached images, I get better dmax and smoothness with both combos using the Canson paper.
The double coated CC combo definitely has more dmax giving more visual punch to the image. Though it does have some "grain" that is visible in the midtones. This appears to be some slight unevenness to how the solution absorbs into the paper.
The NC combo has improved dmax over the HPR CC combo, but not as much as the double coated CC Canson combo. It does have much better smoothness than using CC and the royal blue color is beautiful. Not sure which I like better.
Oh and for fun I attached an image of CC HPR toned in instant coffee for a few hours
I assume you have surmounted your problems. You commented on my later post. I was having similar problems with the crystallization and coating. Diluting the new cyanotype solution 20% fixed the problem, eliminating the crystals without any drop in dmax. Good luck and catch up with you later. Nice photo btw.
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