trendland
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We all know its going to happen, but the way you worded you reply, made me think you got recent official news on the discontinuation of Provia 100F.
I guess you do not, however. Your announcements are a joke as always.
Fuji operate from unlogical concerns in case of discontinuations! The intention is like to operateThat may be true, but in order to be taken serious you ought to provide a source for your claim that Fuji is selling the last batch ever.
Trendland,
I agree completely.
First they discontinued sheets. Now, a 30% increase in price. We have only to read the writing on the wall.
PS : Sheeds are discontinued
I feel your pain regarding mounts. I shoot 6 x 6, 6 x 4.5, 127, and 35. 127 will project in any 35mm projector, but the film is hardly available My Komaflex S needs work, I can't justify the expense given the film and mount problem. 120 film is out there, I have a Kindermann 6 x 6 projector, but mounts are expensive and getting rare. The Kindermann is pretty primitive compared to the run of the mill Carousel. Grrrrr..... Due to the rise of digital I can afford gear I only dreamed of when it was new, but film, etc, is getting hard to find.That is not totally wrong you metioned.....sorry for that kind of formulation 1 kgcoffe
..!
But now seriously : that you metioned is indeed an issue I also had such idea of.
Why more than 6x6 with E6 Films ? Sure for protection but how?
There are 6x7 projectors. The only thing I personally own are some 6x7 frames. 39,- bucks for just 10 pices in a box. Wow it is with anti newton glass - fine at 3,90 per mounts....
(I just payed 7 bucks because it was a special prince)
After that I just need USD 4900,- for a projectors in good used condition wich is manualy.
Or USD 8000,- for a New one with automatic function? Perhaps shoud I first make sure to get some hundred 6x7 frames for my first kilo i'd to pay?
My workflow with 6x7 is to cut some best 6x7 slides (from I had some double) and mount it 6x6..?
How to proceed with 8x10 seriously? The main reason is of course to have a LOOK at (or let us say:
to feel "this are mine and I will have a LOOK on it to everytime I want"
Enlargements could be also done from c41 Films (with exeption of some special intention where E6 get a preference)
To most (exclusive lucky guys who own an enlarger 8x10) it ends with contact prints.
The quality from technical concerns is indeed a class of its own - the royality class!
What is remaining ? The Problem from positive process at the paper side today!
Bad at last it is that different from hold it in your own hands - and that is beginning with 4x5 slides.
(It is just not the same feeling and from other visual character with c41 negatives)
with regards
127 will project in any 35mm projector,
Interesting. I had no problem in the past, although the Komaflex hasn't been usable for many years.Superslides, at least over here, are a thing of the past since decades. And with many of the westgerman-made projectors one has to exchange condensors for that format, if they yield that chance at all as with the more modern models the 40x40 slides are not even mentioned any longer.
First they discontinued sheets. Now, a 30% increase in price. We have only to read the writing on the wall.
chapeau !Sheet film is not discontinued. Neither is Provia 100F.
Provia 100F is available in all formats: 135, 120, 4x5" and 8x10".
Velvia 100 is availabe in all formats: 135, 120, 4x5" and 8x10".
Velvia 50 is available in 135 and 120 worldwide, and additionally in 4x5" in Japan. But some companies outside Japan import it. E.g. Intrepid for Europe.
Last Photokina (biggest and most important photo film fair worldwide) Fujifilm made an official and very clear statement to both their big customers / retail partners and the public that they will continue standard film production (non-instax film types) for the long term. They recently renewed that commitment at WPPI in Las Vegas.
See the attached official document from the Photokina.
At photokina Fujifilm had one of the biggest photo booths of all companies. And almost 50% of all that huge space was dedicated to their silver-halide products: Instax and standard films, RA-4 photo paper (they even introduced another highest-quality paper: Maxima), RA-4 minilab machines, instax cameras. No other film or paper manufacturer had such a dedicated presentation of silver-halide products as Fujifilm.
I've talked intensively to the Fujifilm Germany managers: They explained that they have seen a huge demand increase in 2018 in Germany: So much that they had to significantly increase their forecasts for 2019.
By the way: Fujifilm is by far the biggest photo film manufacturer in the world: Their instax film production alone is much bigger than the whole photo film production of Kodak, Ilford, Foma, Adox, Polaroid etc. together. Fuji makes about 1.5 billion $ revenue p.a. with their silver-halide products. That is more than 3x more than all other photo film and paper manufacturers together. They are running three factories alone worldwide for silver-halide RA-4 photo paper.
Concerning the recent price increase: They simply do what is necessary to remain profitable. Look at Eastman Kodak: They made about 19 million $ loss last year with their film production. Kodak will have to increase prices to improve their problematic profitability. It is not the question whether they will increase prices, but when and how much. In the past Kodak has often increased more than Fujifilm. And the other manufacturers will increase prices in the future, too. Because the current price level is just too low to be sustainable in the long run. Lots of films are today still cheaper - inflation included - compared to 25-30 years ago.
I highly recommend the presentation of ADOX CEO Mirko Böddecker concerning that topic: https://www.photrio.com/forum/threa...-in-agx-manufacturing-in-todays-world.166246/
Best regards,
Henning
Oh really. Show us the discontinuance notice then. Bet you won't & can't. Velvia 100F was discontinued.
Sorry Henning - but I don't think so[QUOTE="Henning Serger, post: 2174538, member: 15210"Fujifilm made an official and very clear statement to both their big customers / retail partners and the public that they will continue standard film production!
Henning
GRHazelton - I am not quite sure if this method shown on YouTube will work real propperly!I feel your pain regarding mounts. I shoot 6 x 6, 6 x 4.5, 127, and 35. 127 will project in any 35mm projector, but the film is hardly available My Komaflex S needs work, I can't justify the expense given the film and mount problem. 120 film is out there, I have a Kindermann 6 x 6 projector, but mounts are expensive and getting rare. The Kindermann is pretty primitive compared to the run of the mill Carousel. Grrrrr..... Due to the rise of digital I can afford gear I only dreamed of when it was new, but film, etc, is getting hard to find.
Nobody has any idea what Kodak would do. End of discussion.If Fuji discontinue all E6 we will see New Ektachrome in 120, 4x5, 8x10?
That's not quite correct faberyman....Nobody has any idea what Kodak would do. End of discussion.
That looks like Macfred - but he is a fellow of yours !
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