twelvetone12
Member
Wasn't Ektachrome discontinued just five years ago?
Of course what really counts is not whether it is a new formulation and thus by definition not the same Ektachrome of old but whether it produces what the consumer will regard as acceptable quality chrome. While the number of chrome specialists at Kodak may have declined, I'd be surprised if it no longer has sufficient skills and resources to produce acceptable chromes.Kodak has already let it out that their upcoming Ektachrome film has to be reformulated. That means a new product and not an old one. Time will tell if the people who remain at Kodak are able to formulate a product the way the legacy people did decades ago.
Exactly, nobody knows including them. I think new Ektachrome will sweep all the hype away. And Ektachrome is happening this winter
I've emailed Ferrania on the following point, but without a reply.
As a Kickstarter contributor, I decided to hold-out for the E-6 film rewards when the option to exchange these for P-30 was available. As it seems to be becoming increasingly evident that quality E-6 film has now become pie-in-the-sky for sometime/never, is it still possible to exchange the rewards for an equivalent of P-30 ?
I just assume it (the money I gave their Kickstarter) is a personal loss, because they either misrepresented what they intended to do (raise seed money to fund their B&W film development) and never seriously planned to make the slide film, or were a bunch of Pollyanna's about their prospects for success. I won't be backing any other Kickstarters for sure. There's a reason they couldn't get a regular bank loan to finance this.
To all the folks who're enjoying the P30 - you're welcome, from those of us who funded the Kickstarter. Without us them big machines never would have got saved, and there'd be no P30. I personally have no interest whatsoever in P30. I'll be buying Ektachrome too if it comes out, or whatever slide film is still being made. I've definitely never depended on Ferrania as E-6's knight in shining armor.
I shot my first roll at ISO 80, measured with the internal as well as a Gossen meter. All images came out extremely underexposed with Rodinal 1+50 at 14 mins as Ferrania suggested. The negatives are very thin. Also they are scratched a lot, 4 times "rail lines", along the complete film. That is my honest first test result.
I just assume it (the money I gave their Kickstarter) is a personal loss, because they either misrepresented what they intended to do (raise seed money to fund their B&W film development) and never seriously planned to make the slide film, or were a bunch of Pollyanna's about their prospects for success. I won't be backing any other Kickstarters for sure. There's a reason they couldn't get a regular bank loan to finance this.
To all the folks who're enjoying the P30 - you're welcome, from those of us who funded the Kickstarter. Without us them big machines never would have got saved, and there'd be no P30. I personally have no interest whatsoever in P30. I'll be buying Ektachrome too if it comes out, or whatever slide film is still being made. I've definitely never depended on Ferrania as E-6's knight in shining armor.
Can anyone under the age of 25 name a film manufacturer other than Kodak...
So you are calling Dave Bias a deliberate and serial liar.
All I'm saying is that many of those might find the new ektachrome stuff just enough to make them forget about ferrania.
Yes, that could be the best scenario. I hope things will go as you sayI see differently. If Kodak manages to produce "Ektachrome" they will revitalize the entire industry: the laboratories, the distribution, the interest. That will only help Ferrania. The tide Kodak would create would also lift the small Ferrania boat.
If and when Kodak reenters the market, they will probably enjoy a dominant position. That said, there will always be a place for alternative producers, for Ferrania, because some people will like a different colour rendering, a different graininess, or simply will want to encourage choice and competition.
Also, Ferrania might sell at a cheaper price, and might sell as it did in the past through "white labels". They will maybe be able to occupy niches such as infrared, high ISO, large format.
A rebirth of "Ektachrome" would be very or enormously beneficial not just to us all, but to Ferrnia in particular, IMHO.
Assuming that photographers actually buy it.I see differently. If Kodak manages to produce "Ektachrome" they will revitalize the entire industry: the laboratories, the distribution, the interest.
Of course it has to be reformulated but that is mostly because environmental laws have changed during the last five years. I am confident that Kodak has the right skills and knowledge do achieve a product that is worth the brand. Do you think that if ye olde folks are gone Kodak has lost its heritage and knowledge forever?Kodak has already let it out that their upcoming Ektachrome film has to be reformulated. That means a new product and not an old one. Time will tell if the people who remain at Kodak are able to formulate a product the way the legacy people did decades ago.
No. Mostly they have never heard of Kodak.
I agree, and I would shoot any type of film myself including grainy reversal film (I'd love CR 200 if it wasn't that yellow)
I don't know what to say, I tried it few years ago, I might give it another try, but I cannot find it in 135 size at the momentI dont know why this yellowing subject of CR200 keeps coming up.
The main issue was a badly stored master roll I suspect which affected a few batches of Rollei stock.
Other shooters of it, along with the wittner stock which is the same film have been flawless.
Here are some photos I shot. Dont see any yellowing at all. Probably the closest film to kodachrome if it was not for the grain.
Ilford, Adox, Foma, Kentmere, Lucky, Arista, Agfa, Rollei, Lomo, Ferrania, IP. Wittner (though I don't know if they do stills) and Cinestill (though I don't know if you'd count that as a separate brand).Can anyone under the age of 25 name a film manufacturer other than Kodak or possibly Fuji?
Ilford, Adox, Foma, Kentmere, Lucky, Arista, Agfa, Rollei, Lomo, Ferrania, IP. Wittner (though I don't know if they do stills) and Cinestill (though I don't know if you'd count that as a separate brand).
And for the record, I don't want my images scratched or mussed. The colors of Velvia or grain structure of Tri-X put them miles above digital IMHO.
Lemme know if I missed any brands. I'm going off the top of my head, and I'm just a youngun after all![]()
I think wittner-cinetec still have it.I don't know what to say, I tried it few years ago, I might give it another try, but I cannot find it in 135 size at the moment
No, Wittner has no 135 Wittnerchrome left. They even said so in one of their website post long ago. You can sometimes still find it from other shops around Europe if you google for it.I think wittner-cinetec still have it.
Ive got some spare rolls if they are out of stock.
Kentmere films use their own emulsions and their manufacturer Harman (who also manufactures Ilford films) has stated in the past that they will not re-brand any films that they produce and sell under either the Kentmere line or the Ilford line.kentmere are rebrands
What about those who want to shoot Super 8 with Kodaks new camera (shall it ever actually be released)? That is what I am most interested in. We do have nice slide films for still cameras already, but nothing much is left for movie cameras!Assuming that photographers actually buy it.
Ilford, Adox, Foma, Kentmere, Lucky, Arista, Agfa, Rollei, Lomo, Ferrania, IP. Wittner (though I don't know if they do stills) and Cinestill (though I don't know if you'd count that as a separate brand).
And for the record, I don't want my images scratched or mussed. The colors of Velvia or grain structure of Tri-X put them miles above digital IMHO.
Lemme know if I missed any brands. I'm going off the top of my head, and I'm just a youngun after all![]()
Sometimes old guys are really pretentious and believe that young people are all the same and none of them will ever be capable of the marvelous things that made those oldies age so well.Ilford, Adox, Foma, Kentmere, Lucky, Arista, Agfa, Rollei, Lomo, Ferrania, IP. Wittner (though I don't know if they do stills) and Cinestill (though I don't know if you'd count that as a separate brand).
And for the record, I don't want my images scratched or mussed. The colors of Velvia or grain structure of Tri-X put them miles above digital IMHO.
Lemme know if I missed any brands. I'm going off the top of my head, and I'm just a youngun after all![]()
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