PE, I ensure you that food in Italy won't make you fat! Liguria has good olive oil, wine, fish, and basil of course!
PE, I ensure you that food in Italy won't make you fat! Liguria has good olive oil, wine, fish, and basil of course!esides, I'm overweight right now and all of the good food in Italy would really mess me up. I watched Giada DeLaurentis make an Italian Beef Wellington today on TV and I nearly gnawed a finger off waiting to have some food.
I hope one day they'll produce some cibachrome chemicals and paper.Regarding making a color chemistry kit
half an hour from Savona
Don't worry. If you go to Italy your chances of finding a Beef Wellington (or any other artery clogging English dishes) are approximately 0%.Italian Beef Wellington
I will hopefully have time sometime this week to sit down and watch the whole video; I'm grateful to flavio for making a quick summary available for those of us who are a bit limited on time.
Usually the 1L kit is for 12 film. I mix half liter at time and get 7/8 rolls each, 15/16 rolls.$30 for a kit after all said and done. For a kit rated for 8 135 rolls
When they discussed about P30, I was suprised that they had a couple of formulas and one was last coated on the 70s in the LRF -- Doable formula (I guess they had to tweak) in the same facilities. PE commented that products cannot be transferred between facilities easily.There was much more discussed on the video. On the other hand, many things that were discussed that we APUG nerds already knew (i.e. that P30 was ISO 80, that it was a classic product, etc).
I'd like to see a more affordable C-41 home kit. Where it sits now it costs near $30 for a kit after all said and done. For a kit rated for 8 135 rolls that's a bit steep. The chems can't be all that expensive. If the kits were cheaper I'd shoot more film.
That being said I push my kits beyond 20 rolls consistently. And as of now it's the only way I can shoot and develop cine film.
This thread has now had more than 100,000 views - impressive!
???It's over 9000!
When they discussed about P30, I was suprised that they had a couple of formulas and one was last coated on the 70s in the LRF -- Doable formula (I guess they had to tweak) in the same facilities. PE commented that products cannot be transferred between facilities easily.
So a sweet surprise that they could actually put a direct P30 derivative.
A transcript is IMHO always preferable to a video. Much faster to read than listen, easier to remember, good for people not fluent in English, indexed by search engines, etc.
I see that there's a new resource added to the team
Anne Bowerman - Anne has grown her direct marketing experience into social media savvy that few can match. She is a community builder with vast experience in the analog film world and the online voice of FILM Ferrania.
They talked about releasing a (color reversal?) development kit. Dave says they can make it.
Will the Ferrania P30 come in DX-coded cartridges? That would make it easier to shoot in my Pentax P30T.
Seconding this, for my Yashica T4. I'd have asked myself but I was out buying a projector!
Located half an hour from Genoa, and two hours train from Milan, in the wonderful nature of Liguria, you can spend three, four years of pleasant work in a non-competitive, non-stressing work environment.
While being there, you will learn a new language, you will taste a new cuisine, you will make new friends, and you will see Trump on TV no more than once a day!
You will not be waken up any more at night by those awful barn nightmares!
You will contribute to a mighty task, and inscribe your name in a wall of fame. You'll help making history.
Thats cool with me, because my Pentax Spotmatic does not read DX codes! lolALPHA won't be available with DX coding, but the final version will be.
Hadn't thought about it, quite logical. That the 1970's LRF P30 worked rather easily must have been, seeing the result. Supposedly all final big facility products should have done a prior run in the LRF during research phase.I mean, if an emulsion is tested to work great in the LRF, and then it can't be translated "as-is", or with predictable tweaks to the Big Boy, then the costs of final testing in Big Boy itself would be huge.
I will wait for Photo Engineer to enlighten us on this topic.
Being from Spain but on the same Mediterranean shores I can corroborate that. Follow a good Mediterranean diet and excercise in the fantastic environment here.From my short trip to Italy in December, I can say without any reservations at all that it's worth it for the food (and coffee) alone.
D76 is way different than D96
OK, dont get this, as i thought it was required for motion picture use in cameras with high film speed? In the interview they said it would not be suitable for such use because of the lack of remjet.
Seriously though, I've never been asked anything by Ferrania, and I don't think they even know who I am. I doubt if I could help them.
C41 is off the map at the moment and there was no talk about it. Solaris was the last Film Ferrania made (in the large coater) but perhaps the Scotchrome was the last that the LRF made, thus the formulation -> production differs. This was briefly talked about, how they have a book of products that were made in LRF.
B&W Movie Film NEVER was with the rem jet, no B&W movie processor (unless it was converted from a colour machine) has the spray arms to remove rem jet. ECN, ECN2 and Kodachrome are the ones with rem jet.
(some B&W film like Double-X 7/5222, does have an antistatic layer on the back but that survives processing. Most 120 roll film has a antihalation dye coating but that either dissolves or clears in the Developer.)
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