From what I can tell, by the late 90s, only Agfa RSX100 & some Fuji transparency films were still on triacetate in sheet form - Kodak seem to have been entirely on polyester base for BW neg, colour neg & transparency by then. That said, the colour materials may have benefited from more up-to-date anti-static treatment/ coating than the BW materials at that time. It should also be pointed out that triacetate can also become statically charged, but because you're handling it (in 135 or 120 form) much less before exposure there's less chance of attracting dust. Low humidity, clothing choices & flooring/ building materials can all cause static to build up. Treating sheet film holders with anti-static cloths/ brushes etc on a regular basis is a very good idea in general. For that matter, 35mm/ 70mm cinema projectors - which largely run polyester base stock - have an in-line anti-static system before the gate.
Property of Agfa-Gevaert who employs it since many years with microfilms, seems to have found its way to Rochester.and current 3383/2383 movie print film (Poly) has a really special lubrication/antistatic back coating that remains on teh film after processing. (no rem-jet on 3383) the back of the film looks iridescent.
My large format sheet film use is entirely black and white on polyester bases. I've not had a dust issue, even in the desert southwest, since adopting the following protocol:...during transport the holders do get some friction in the camera-bag...
I really don't care what LF film is coated on as long as I can get it.
you can get an ultrasonic splicer and this will splice any film together by melting itThe last Ektachrome produced in Super 8, E100D, was on cellulose acetate. I hope the new stuff is as well, I like to make cement splices on movie film, polyester requires tape splices.
but those are rare on the used market and cost many times more than a good cement splicer. they may not be as accurate. (because of the melting)you can get an ultrasonic splicer and this will splice any film together by melting it
We'll be lucky if they start producing P30 in 2018. Color is a long way off.Any bets on when color film will be produced? 1st quarter of next year? 2nd? 3rd? 4th?
We'll be lucky if they start producing P30 in 2018. Color is a long way off.
If they can't make and deliver P30 black and white film in quantity, it is unlikely they will be able to do so with color film, which is an order of magnitude more difficult. There real problem is they don't have any money. They spent all the money they raised a couple of years ago buying, moving, and storing the equipment. They could do another Kickstarter, but they have lost credibility. I also suspect they are waiting to see how the market for Ektachrome develops before making a commitment. Seems prudent.Where was 2018 taken off the table for color film? I believe it will be some time before we see it, but I didn't see that 2018 was ruled out.
They could make some sort of JV with some other european manufacturer and share risks and profits. Inoviscoat has the technology ready to coat CN film...If they can't make and deliver P30 black and white film in quantity, it is unlikely they will be able to do so with color film, which is an order of magnitude more difficult. There real problem is they don't have any money. They spent all the money they raised a couple of years ago buying, moving, and storing the equipment. They could do another Kickstarter, but they have lost credibility. I also suspect they are waiting to see how the market for Ektachrome develops before making a commitment. Seems prudent.
Wild guess: At least a year from now, maybe two.Any bets on when color film will be produced? 1st quarter of next year? 2nd? 3rd? 4th?
According to Photo Engineer they have state of the art equipment (post #2664 in this thread).Basically, they have a dream and some old equipment, so expecting anything in the near term is wishful thinking. Perhaps something will ultimately come of it, but it will certainly take time.
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