No, the Delta 100 was processed in Ilford Microphen. The only reason I showed the Delta 100 negatives was as a sort of reference to show what my "normal"negatives look like on my lightbox.Whenever I'm using a developer that is approaching the end of it's shelf life expectancy, I do a clip test. Was the roll of Delta 100 also processed in the same developer?
Please do not... or order some Bellini ECOfilm developer.
I agree with the sentiment. In fact, Xtol was my first choice until QC issues and availabilty problems convinced me to try Legacy Pro Eco-Pro. Now that it sounds like Kodak Xtol is going to become more available and reliable (we hope!), I will probably switch back to the Kodak product. It might even be faster and easier for me to figure out what the processing time should be used for P33 in Xtol/EcoPro than it would be to order the Bellini Ecofilm developer.Please do not.
You're based in the USA, get the real Xtol from Kodak instead...
That's my 2cents...
I wonder if Ferrania P33 (and P30 for example) can be succesfully reversed or not...
I have published a test on the Ferrania P33 on a forum in Italy, you can easily translate this with a online translator, and you can download the pdf with the characteristic curves and the development/gradient curve for the ID-11 1 + 1 developer, I hope this is useful.
By the way, I found the P33 to be a very good film, in my opinion it surpasses the FP-4+.
I was pretty happy with P33 at box speed: https://flic.kr/s/aHBqjBgTcH
I tried it in D76 and Rodinal 1+25, and even in TMax since I always have it around. It didn't seem to respond in any unexpected ways to different developers and imo held shadow detail respectably at 160.
I'm developing almost exclusively for digitizing, and they required negligible curve fiddling in that context, but I probably would find the negatives a bit thin if I were darkroom printing them.
Eric, thanks for sharing - those are some really solid results. I had stumbled on your samples while searching Flickr and your image of the abandoned sneaker had stopped me in my tracks. That's exactly the right mix of sharpness, well defined but visible small grain and tone I look for when doing 35mm. What did you prefer between your Rodinal and D76 tests?
Thank you so much! Now your question has me referring to the negatives - I found Ferrania's recommended development (5 min @ 20C 1+25) far too low, but given it had good detail in the shadows even underdeveloped I'm happy with its rated box speed. I wouldn't try to print these in the darkroom but digitally they were fine. I tried it again with 30% more development and it was more reasonable but I can't find those negs right now.
Conversely I found Ferrania's recommended D76 development (10 minutes at 20C) to be too much for my purposes (though I was shooting in contrasty sunlit conditions) and produced chalky highlights with loss of highlight contrast. Still pretty usable, though.
That's so interesting thanks. So you did D76 stock, correct? That's a little too much contrast for my liking as well in that light setting. The Rodinal ones are really off, which Rodinal were you using if I may ask? I found the Adox one to last for ages, similarly to the old Agfa ones, but for example the Foma R09 clone starts going bad, open & ungassed, after little more than a year. Could it be a factor? Else Ferrania needs to tweak their chart.
I managed to go out for a walk too, this afternoon. I started a roll. The light was not what I was looking for: mildly overcast with occasional blades of sunshine hitting here and there. I will need to adjust my development time accordingly.
Something curious to note: I'm using a manual advance camera and advancing to the next frame takes more work than with other film. I wonder why. Is the film thicker? Is it more tightly spooled than other brands? Not sure.
In my Pentax MX, I noticed the film advance lever was giving me some resistance around frame #34. My first thought was, the roll was short, 34 was the last frame, and I should rewind it. I was done for the day, but I wrote in my notes, "advance lever stiff." A few days later, I went ahead and advanced to #35 and 36, so false alarm.Something curious to note: I'm using a manual advance camera and advancing to the next frame takes more work than with other film.
In my Pentax MX, I noticed the film advance lever was giving me some resistance around frame #34. My first thought was, the roll was short, 34 was the last frame, and I should rewind it. I was done for the day, but I wrote in my notes, "advance lever stiff." A few days later, I went ahead and advanced to #35 and 36, so false alarm.
Has anybody tried developing Ferrania P33 in XTOL, Eco-Pro, or similar ascorbic acid developers? If so, I would be very interested to know what time and temperature you used, and if you were satisfied with the density of the negatives.
The Massive Devolpment Chart still has no data for P33.
Thank you.
Thanks! That will be helpful when I get ready to develop my next roll.I did.
XTol stock. 20C. 10:00. Constant agitation first 30 sec, followed by 5 sec every minute. I have a video that I'll hopefully remember to upload later today...
View attachment 373075
Thanks
Thanks! That will be helpful when I get ready to develop my next roll.
If 10:00 is a good time for a stock solution, then my time of 7:00 for a 1+1 dilution must have been way too short, thus explaning my thin negatives.
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