Cholentpot
Member
- Joined
- Oct 26, 2015
- Messages
- 6,747
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- 35mm
It does, in the Fuji film factory. muhahahaha
Someone hack the new Instax digital printer camera to go Ka-CHING after every print
It does, in the Fuji film factory. muhahahaha
I have plenty of Nikon cameras, A Nikon F2 is the logical follow up on the F. The FM was a counter to the Olympus OM series. The F2 was an attempt by Nikon to make good, the few things that the F didn't quite get right, which ain't much. You need to take care of any mechanical device, foam goes bad, duh, easy for a patient steady hand to fix. I have never had any of my F, F2, or F3 cameras fail to work. My F5 and F100 (s) have had hiccups, battery related. The F2 will go from 10 seconds up to an 80th in full stops and from an 80th to a 2000th, infinitely variable, without a battery. The F2 and F are the Leica M3, M4 of the 35mm SLR world. Built like a tank. In their day no real peers to the men and women that used them to make a living, especially Press photographers. Korea (Leica) and Vietnam (Nikon and Leica) proved this.
I'm a big guy so anything smaller or lighter doesn't feel right to me. Even though the F3 is a thing of beauty, I never really warmed up to it like my F2 stuff. I have one particular "Apollo" F with a plain prism in chrome, I don't think there is a prettier camera made, a pristine Leica (lots to choose from) would share the podium.
Think how much it would cost to make a totally mechanical SLR like the F or F2 today? New Leicas will give you an idea of a starting point, then add the mirror box, motor drive etc
The thing no SLR will ever have is the whisper of a Leica shutter. (At least without the mirror locked up)
Peace, Mike
You dial the speed to match the meter. Especially with a F2S or SB where you have a LED metering, you could use intermediate speeds to dial in the correct exposure. No way to know exactly what the shutter speed is. But if you were doing critical work and wanted a specific aperture and metering was critical you could split a hair with the shutter. Same way you don't really know what intermediate aperture you are at when you are metering with a fixed shutter speed.I've never managed to understand how that may work, as there are detents on the speed dial that make intermediate speeds hard to select. Am I missing something here?
Agree on the size thing (I am about 6' 4½" tall), even my FE-2 feels slightly too small for me, and waaay too light after using the F-2 for a while. The F-2 just feels quality in every possible way. A real joy to handle. If I want an autofocus F-2-like camera, I grab my F-5. Fits like a glove too.
I was asking from a mechanical standpoint, it seems hard to set it just so, so it sits between the speeds, not being "sucked" into the whole stop detents.You dial the speed to match the meter. Especially with a F2S or SB where you have a LED metering, you could use intermediate speeds to dial in the correct exposure. No way to know exactly what the shutter speed is. But if you were doing critical work and wanted a specific aperture and metering was critical you could split a hair with the shutter. Same way you don't really know what intermediate aperture you are at when you are metering with a fixed shutter speed.
I never use any in camera meter except on my F5, so the in between speeds were just cool to a 17 year old kid in 1973. And yes my F-5 feels perfect to me especially with a 50mm lens.
Best Mike
I've never managed to understand how that may work, as there are detents on the speed dial that make intermediate speeds hard to select. Am I missing something here?
Agree on the size thing (I am about 6' 4½" tall), even my FE-2 feels slightly too small for me, and waaay too light after using the F-2 for a while.
Perhaps i should start a post...see if we can create some kind of Trust/Foundation.
Probably a lot of us have nobody "good" to leave our cameras to. Absolutely no reason they should go to Kids/Family/Relative. We could start something to help preserve (not just our cameras) the traditional skills of photography.
We also have darkroom equipment and books.
I must have 40-50 books. I am not positive, but i think most of them are out of print...some of them for quite a long time now. Just like with a camera, once the books are gone.....they are gone for good.
Does your F2 make a loud "ping" when you fire it?
No, I've never fired a camera. My guns don't "ping" when I fire them, either. There is however no "ping" when I trip the shutter on my F2, but then it's been recently serviced and has a new mirror buffer. Perhaps you should have your cameras seen to, rather than complain about them? Just a thought.
Have you ever taken a snapshot? How about shot a photo?
Firearms were around long before photography. Photography borrowed a lot of slag from firearms. So, I'm going to fire off a cartridge of shots while shooting long range hunting for headshots. A few might be snapshots but for the most part I'll aim on target. Bullseye.
There's enough idiocy out there anent firearms, I don't need to add to it. And the answers to your questions are "no" and "no".
I have plenty of Nikon cameras, A Nikon F2 is the logical follow up on the F. The FM was a counter to the Olympus OM series. The F2 was an attempt by Nikon to make good, the few things that the F didn't quite get right, which ain't much. You need to take care of any mechanical device, foam goes bad, duh, easy for a patient steady hand to fix. I have never had any of my F, F2, or F3 cameras fail to work. (...) Even though the F3 is a thing of beauty, I never really warmed up to it like my F2 stuff.
Perhaps i should start a post...see if we can create some kind of Trust/Foundation.
Probably a lot of us have nobody "good" to leave our cameras to...
My SX-70 goes Click-pshhhzzzzz-chkchk. You can hardly hear it if you are in the next county.
...
Rifle skills taught me how to use telephoto handheld to get awesome photos. Also to shoot at 1/10 and lower handheld.
With three F2's and two F2S's, none of them ping. I do notice a slightly different sound based on the lens that's mounted. I would say that a plain-prism Nikon F with an 85/1.8 pre-AI makes the best shutter sound in the world.
View attachment 182049
I'm having a Pyramid built in my back garden where I and my possessions will travel to the Next World.
Wait... shouldn't it be Click-thwapp-pshhhzzzzz-chkchk? I'm assuming that was just a typo, but if you're really not getting the thwapp, then your mirror (*) isn't coming up.
The opposite for me, as photography was my first hobby and (long distance) target shooting was my fourth. Having made a roll of blurry photos with a 200mm lens on my AE-1P, I eventually learned the skills needed for sub-MOA groups with a Sako in .222 and with a Barrett .50BMG at 1000 yards / 1 mile.
(*) I believe there are four mirrors in the SX-70 light path, though three are usually mentioned. The raising of the bottom (2nd) mirror over the film pack covers the (1st) back mirror, but also brings up the final (4th) mirror to reflect down onto the film.
Is the .50BMG louder than a Bronica S2?
Yes, but it doesn't ping.
YOU KNOW WHAT ALSO LOOKS COOL ON MY PLAIN PRISM F's, my 85mm f1.4 AF-D that's happy as can be on those old F's. I'm done buying modern Nikon glass. All the miracle VR, electronic aperture, phooey! MY 180 2.8, AF-D, WITH IT'S HANDY BUILT IN LENS HOOD LOOKS PRETTY SWEET TOO,!With three F2's and two F2S's, none of them ping. I do notice a slightly different sound based on the lens that's mounted. I would say that a plain-prism Nikon F with an 85/1.8 pre-AI makes the best shutter sound in the world.
View attachment 182049
I'm having a Pyramid built in my back garden where I and my possessions will travel to the Next World.
Wait... shouldn't it be Click-thwapp-pshhhzzzzz-chkchk? I'm assuming that was just a typo, but if you're really not getting the thwapp, then your mirror (*) isn't coming up.
The opposite for me, as photography was my first hobby and (long distance) target shooting was my fourth. Having made a roll of blurry photos with a 200mm lens on my AE-1P, I eventually learned the skills needed for sub-MOA groups with a Sako in .222 and with a Barrett .50BMG at 1000 yards / 1 mile.
(*) I believe there are four mirrors in the SX-70 light path, though three are usually mentioned. The raising of the bottom (2nd) mirror over the film pack covers the (1st) back mirror, but also brings up the final (4th) mirror to reflect down onto the film.
... my 85mm f1.4 AF-D that's happy as can be on those old F's. I'm done buying modern Nikon glass. All the miracle VR, electronic aperture, phooey! MY 180 2.8, AF-D, WITH IT'S HANDY BUILT IN LENS HOOD LOOKS PRETTY SWEET TOO,!
No comment on some nitwit ...
I use shooting techniques to improve my hand held photography, people are amazed at the sharpness on my hand held low speed shots.I love me guns. Wish Smith and Wesson made cameras too!
Rifle skills taught me how to use telephoto handheld to get awesome photos. Also to shoot at 1/10 and lower handheld.
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