Darkroom Portraits (Part 2)

PRC

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Grand Rapids, MI
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I always sandwich my prints between sheets of archival mount board in the press. Wipe the sheets clean every session--no spots, no indents.

Mount board? Doesn't that drastically increase the needed "dwell" time? I use just plain acid-free art paper, and the instructions for my glue sheets says they require at least two minutes under pressure in the press.
 

Pieter12

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Mount board? Doesn't that drastically increase the needed "dwell" time? I use just plain acid-free art paper, and the instructions for my glue sheets says they require at least two minutes under pressure in the press.

I heat the boards used to sandwich the print in the press so they are hot and dry. Doesn’t seem to increase the time in the press to flatten or dry-mount by much if at all.
 

MurrayMinchin

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Couple recent ones taken for a thread about safelight options in dimrooms, for hand coating & processing salt prints. (Rubylith sheets on the window).



 

Kilgallb

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Calgary AB C
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I really like the speakers, do you need to turn them off when exposing?
 

PRC

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Sep 20, 2016
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Grand Rapids, MI
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I really like the speakers, do you need to turn them off when exposing?

The Durst Laborator 138 is such a sturdy beast that no amount of sound pressure would make it shake. The Omega D-2 is almost as sturdy but I tend to only use it when I have to switch to multi-grade paper. Those speakers aren't woofers or sub-woofers, they're rebuilt old triaxial speakers in homemade cabinets and they don't rattle the house much.
 

Kilgallb

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I have two 15” Goodman triaxials just outside the darkroom. Bought them 40 years ago for $75. Too large to fit inside.

Never found any better.
 

mshchem

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NOS shipped from Calumet in 1982, valve came with different pipes on top, I salvaged the thermometer and shut offs from another. Works great.
 

pbromaghin

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The darkroom is finally complete. Almost 15 years in waiting, 6 months in progress. Walls are a double layer of black landscape plastic hanging from ceiling joists or stapled to a stud wall. At my age, I want this to be sort of permanently temporary, so that when I'm gone, they can just tear it down in no time. I decided to skip the plumbing and use 5-gallon buckets instead. Door is a 3-layer light maze. All the equipment and furniture was FREE.
 

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mshchem

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Well done.
 

Mark_S

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Oct 20, 2004
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Portland, OR
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I just finished my first print session in my new darkroom. This is the fifth darkroom that I have built (and hopefully the last). It is smaller than previous darkrooms - 7' x 9', it has an 8' long sink, made of plywood, sealed with marine varnish. There is a lip near the top to hold frames that allow me to keep trays at the height of the top of the sink - so less bending. My CPP2 died, and I replaced it with the new CPE-3 film processor jury still out on that. I kept the revolving door. My enlarger is an Ilford MG600 (Durst Multigraph in disguise), I shoot mostly MF now, with some 4x5 and some 35mm thrown in from time to time.
 

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rcphoto

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does the tray holder prevent you from agitating your developer?
 

MARTIE

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Oct 31, 2004
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What's the chassis?
And is the enlarger head height motorised because I don't see any handles for adjustment?
 

ic-racer

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Feb 25, 2007
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Not much new. I cleaned and aligned one of my enlargers and replaced a faulty LED readout. I also put a new drain valve on the Jobo and got a NOS paper dryer for test strips. My old one stopped heating.
 
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