I just got the 70 mm cassettes from Italy, and some of the spools inside them are actually very different than any of the 70 mm spools I have seen thus far. Most of them have a spool with a film slot, you simply slide the film into, and no metal clip. Pretty interesting, I don’t think I’ve seen that mentioned anywhere else. That’s actually pretty nice, no need to worry about losing the metal clip.
These are standard European 70mm spools. They were sold by Linhof and Hasselblad, in black cassettes, as accessories for their 70mm backs. The black cassettes were manufactured by Kodak and then enameled black, but the spools were manufactured by one of these companies and shared with the other. All black cassettes originally came with these spools.
Beyond the spools, their other innovation was the double cassette holder that you show pictured. It's purpose was to allow users to pre-connect a feed and takeup cassette together with loaded film and store it that way, for really fast loading into a back. In practice, I think it's easier to load a back from one cassette rather than two, so these holders are of limited use, but do look cool!
A note of caution about the European cassette spools: they are designed to work only with Type 2 perforated film. They work really well when used that way. They could get away with this, because Hasselblad and Linhof 70mm backs were only meant to take this type of film. Since Kodak was supplying many more photographers with many different brands and styles of cameras, their spools were more versatile: the clip ensures that even non-perforated film works well. (You can still use the European reels with non-perforated film, but you should add additional tape or you will risk having your film pull out.)