I like 6x8 a lot. I don't feel any need to justify that, I just like it. Yes, there are some technical advantages and disadvantages i.e. less cropping for some standard paper sizes, but... in the end everybody's artistic vision is individual (or should be). I mean, basing these things in what standard papers are available, it's just not how I like to think.
One drawback of shooting 6x8 on the rb: your VF won't show you 100% of the image... but you'll get used to it.
Another minor drawback: the 6x8 back is powered and it's kinda heavy. I mean, camera + prism + back + lens easily gets it into 4x5 territory, in terms of weight and bulk.
Advantage for architecture and such: if you shoot ultrawide and want to do lens correction electronically (perspective or other corrections), then you will want as much frame as possible. It's never quite as good as working with a view camera but it can come pretty darn close. I have even gotten quite acceptable results shooting a fisheye to 6x8 and then electronically defishing it and cropping out the funky edges. You can do similar things with 6x7 too, but, when you do the corrections you lose a
lot of frame area, maybe a third of the overall image area, or so. I guess we won't discuss that here because it involves PS

Naturally, I prefer to do these things on a view camera but that isn't always workable.
6x8 also quickly becomes 6x9 or further with a minor crop, if you like pano landscapes. Or you could load 35mm film into the 6x8 back if you just want to go wiiiide...