Brett Rogers
Member
- Joined
- Jul 15, 2012
- Messages
- 213
- Format
- Multi Format
(Highlighted)You should ask what the benefit compared with 6x9 is !
There is one like the statements of some with 6x8 mentioned before.
A little more resolution one should Not forget.
The ideal format is 6x9 with 120 film.
Thats fine - But what camera is the next
question?
And thats the problem - what camera ?
I personally just know the Fuji GSW 690.
And GW 690 but that should be all..
The rest is manufactured in the 20th and
30th.
Fuji has not a system to change the lenses with GW/GSW cameras.
And that is the rule of 6x8 today because
there are no modern cameras to 6x9.
Come and have a look from his point
to 6x8.
There are not many options with cameras
to 6x8 exept Fuji and Mamija.
But there are some - that is the advantage of 6x8 : 6x9 = NO options.
I decided to 6x7 because Pentax has a very great system.
But 6x7 is sometimes a problem.....
4,5 x 6 is also ideal from my point of view but it is to smal - at the end you are standing still with 135 films.
That is indeed a positive alternate..
Have a right choice with the right Format to you.
In case of 4x5 inch it is the same as 6x7.
But here with 4x5 inch it is not a question
to format - you never care about - it is just the (sometimes) unreachable quality of 4x5 films.
More quality you will (often) see with 5x7 and with 8x10.
At the very end some Apug members swear on 16 x 20 films...?
I want to ask what kind of pickup is the
right car to this equipment.
But before lets talk about 6x8 here.....
A realy nice discussion - I like it..
Never the less it is from 2010...
with regards
Linhof will still sell you a camera and 6x9 Rollex back for their various bodies, if you're willing to pay for them. Granted, the list price for a new Super Rollex is over 1200 Euros, and you may not wish to pay Linhof's prices for their equipment. That's fine, but it is an altogether different thing to claiming that there are NO options presently available for 6x9 today (which is what you've said).