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Why shoot analogue colour photos?

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I find there are people who say other people do things (or buy certain cameras) for "bragging rights" or "status". But I don't ever find any examples of people who do that.

Who are these braggarts? Where are they? Who are they bragging to? And in what way does it elevate their status? Do they belong to a club?
 
I find there are people who say other people do things (or buy certain cameras) for "bragging rights" or "status". But I don't ever find any examples of people who do that.

Who are these braggarts? Where are they? Who are they bragging to? And in what way does it elevate their status? Do they belong to a club?

Maybe you don't get out enough.
 
I get out plenty.

So you are not bragging when you say you can do get on fine with any camera, film or digital. That's just a factual statement, right?

I like taking pictures. And I don't give a flying f##k if the camera is digital or analog.
 
I get out plenty.

So you are not bragging when you say you can do get on fine with any camera, film or digital. That's just a factual statement, right?
Yeah.

And there are slews of Leica users (wearers?) who fit the boasting/status profile.
 
And there are slews of Leica users (wearers?) who fit the boasting/status profile.

A couple of concerns about that statement:

(1) did you learn that through statistical analysis? Where are these people? Point them out.

(2) why would you care? Does it have something to do with you and your liking of photography? Did they tease you?

People like to do things they consider "cool" - even if they suck at them. And people like to get the "best" things - even if they can't really use them. Most people don't need an audience for such actions. They are capable of doing them all on their own.

And - really - slinging an M6 around your neck is boasting to who? All those people who don't know what it is?
 
It was only a matter of time before this thread, which was about

'those of you who do it, why do you do it?'

was taken over by the usual

'Just dropped by to let everyone know I don't do it, I find it silly/useless/a way to boast, and I don't understand or refuse to understand those who enjoy doing it'.
 
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Wow. Some raw nerves out there.

I am not sure what kind of reaction you were expecting.

"A lot of the appeal of film photography is about boasting rights, trendiness and stubbornness."

Really?

Do you really need to be so disparaging of other people?

Can't you just leave us to enjoy our hobby?

Next time you see people having a discussion about why their like their hobby, and you personally do not like their hobby, instead of butting in to say that "a lot of the appeal of [your hobby] is boasting, trendiness, and stubbornness", please consider just scrolling.

Scrolling to the next post is always a strong option.
 
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Since I do not shoot multiple rolls at a time, I send my color development and printing to Samy's Camera in Los Angeles. I just cannot wait long enough to collect 16 rolls of film to develop in batch processing.
 
Why not develop one at a time?

The color chemistry will go bad before I shoot enough film to use it all. It is cheaper to send out the film and get a set of prints that waste the color processing and then doing my printing for one roll of film.
 
C-41 chemistry goes bad quickly once you open the bottle. Most people I know develop in batches.

Actually it doesn't. My current 1 litre in use bottles are 5 months old and going strong.

My remaining unopened mixed 1.5 litres (from a 2.5 litre kit) will be fine when I open them in the next couple of weeks and I expect they will last another 6 months.
 
The color chemistry will go bad before I shoot enough film to use it all. It is cheaper to send out the film and get a set of prints that waste the color processing and then doing my printing for one roll of film.

C-41 chemistry goes bad quickly once you open the bottle. Most people I know develop in batches.

When I develop C-41 film, I develop 16 rolls in two to three days to avoid color shifts or other problems.
 
The color chemistry will go bad before I shoot enough film to use it all. It is cheaper to send out the film and get a set of prints that waste the color processing and then doing my printing for one roll of film.

I guess that sometime, somewhere in the past, someone a bad experience with bad developer and ended up with a blank roll of film.

It happened to me once maybe 20 years ago and since then I check dev activity once the developer is over 4-5 months old.

Stored correctly, they seem to last (for me at least) long enough to get 30 rolls out of a 2.5 litre kit. So about $2 a roll which is more convenient than $10 develop only at a lab.
 
I guess that sometime, somewhere in the past, someone a bad experience with bad developer and ended up with a blank roll of film.

It happened to me once maybe 20 years ago and since then I check dev activity once the developer is over 4-5 months old.

Stored correctly, they seem to last (for me at least) long enough to get 30 rolls out of a 2.5 litre kit. So about $2 a roll which is more convenient than $10 develop only at a lab.

I use the 1 liter kits, I do not shoot enough film to collect 16 rolls much less 30 rolls.
 
There's a plethora of information about how to stretch C41 chemistry in a technically sound and economical way. Since that has been discussed in so many threads already, perhaps let's focus here on (constructive) discussion about the motives for shooting color film in a hybrid process.
 
When I develop C-41 film, I develop 16 rolls in two to three days to avoid color shifts or other problems.

I am planning to develop in batches of 8. It would take me a long time to accumulate 16 rolls. I got 7 rolls done and waiting in line in the fridge, and the 8th roll is in my camera right now.
 
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