I bought a Canon EF 70-200 f4 L IS USM and a Tamron 24-70 f2.8 with about a million abbreviations behind it and got a camera bag, a Canon EOS 7D, and a Canon speedlight with them. I wanted the lenses for my Canon EOS 1V.
I found a steal at the local flea market yesterday - a Marchioni Tiltall tripod that seems to be in perfect working condition... for ten dollars!
I had two rolls of 35mm Tri-X processed, scanned and had contact sheets done at Flagstaff Camera. No darkroom yet and just too many projects right now to do anything processing in the kitchen so it was awesome that we have a lab here in Flagstaff that caters to film based photography.
Roger
I found a steal at the local flea market yesterday - a Marchioni Tiltall tripod that seems to be in perfect working condition... for ten dollars!
Now I don't NEED another tripod, but this has been a long time coming. Way back in 1972 when I was an aspiring teenage filmmaker, on one of our many trips to the 32nd Street camera stores, I bought a Star-D Pro tripod at Camera Barn (for around $30) to use with my Super 8 camera.
Since as a pro studio we had free subscriptions to all the photo magazines, I was already aware that the Star-D was a cheaper knockoff of the famous Tiltall... which would soon become even more famous when Leitz put their brand name on it a couple of years later. Anyway, after knowing of the Tiltall for over fifty years, I now have one.
For the record, my "lesser" Star-D Pro always gave me great service and remains an excellent piece of gear... but now it's got an older brother. New Tiltall in the front, trusty Star-D behind.
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I bought a Canon EF 70-200 f4 L IS USM and a Tamron 24-70 f2.8 with about a million abbreviations behind it and got a camera bag, a Canon EOS 7D, and a Canon speedlight with them. I wanted the lenses for my Canon EOS 1V.
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