Nikon F80, to see what the big deal is (I discovered I had one of those). Foma 400 shot at 200 in d76.
Well in your opinion is it a big deal? It is in mine.
I used a Rolleiflex T with a chipped taking lens (someone had used a spanner wrench on it and slipped), Ilford HP5+ and developed in Kodak HC110 for 5 minutes. The flaw made no difference as I suspected it wouldn't.
I was out an artists' first friday show last night and my friends went inside and I said, "I'm going outside, there's beautiful light." I approached a Dad with two kids, said, "Hi, I'm using black and white film in this vintage camera, and if your kids would stand over by that sunlight wall, I'd photograph them and send you the photo." To which he said, "Ok." (I love that there is trust in the world, that he trusted that I meant only a good photograph for his family.)
I photographed them at 1/250 at f8 in full sunlight expecting it to be a bit overexposed. It was and turned out just perfectly exposed for the shadows.
I'll print it and put it in a frame for him. I call this one, "Young American Gothic."
I saw in the viewfinder the boy put his hand to his cap. I instinctively shot then, knowing I wanted a gesture of some kind.
I bet all their family photos are of them smiling brightly. I love that they are themselves, posing their own way for my camera.
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That is a great shot and beautiful light indeed!!
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