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what was the last camera you used, last film and how was it developed

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Hi Vaugn,
Very nice landscape and negative format. Dit you use a special film holder for this 4x10 format or did you use a regular 8x10 film holder?
Regular 8x10 holder with a modified darkslide (two 4x10s on a sheet of 8x10 film).
 
Leica IIa f2.0 Summitar, Ilford FP4 motion picture stock developed in Rodinal.
Can't find my Weston Master exposure meter, so all exposures were estimated but no major disasters!
Steve
 
Leica IIa f2.0 Summitar, Ilford FP4 motion picture stock developed in Rodinal.
Can't find my Weston Master exposure meter, so all exposures were estimated but no major disasters!
Steve

How did this old lens perform? Some nice old school aura, I guess? Could you share some results, please?
Thanks,
Bert from Holland
 
Bessa R, Industar 61/L/D
Eastman 5222 EI 400
Kalogen 1+49, 9.5 min @ 21 C
 
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Several rolls of FP4+ (I believe eight at last count, along with a partial still in an A12) with my Hasselblads this week, photographing along the Icefields Parkway. As well, two rolls of Tri-X with an M6 of the tourists along the way...
 
AE-1with some Agfa HDC from the '90's @ 25 E.I. in Rodinal 50:1. Worked a little better than I expected. Just a 10 exp. test roll to verify process.


2016-05-20-0007.JPG
 
I just ran a test roll of Ultrafine Xtreme 400 through a new-to-me Mamiya Universal, developed in diafine. Quick and easy way of testing rangefinder accuracy.
 
'Been standardized on HP5 for sf & mf & gaining a great fondness for the PyroHD, trying to fine tune semi-stand agitation. Some shots are up from the trusty FE2 with this combination.
 
If allowed to include cinema as a subset of photography:a Movieflex GS8 with tri-x developed in a lomo tank using dokumol.
 
Ran a couple of short test rolls of some cheap, expired bulk Porter's ISO 400 film through my little Contina IIa and developed in 510-pyro. No clue who made this film, but the roll at ei 200 looks pretty good compared to the one at 400.
 
A trip up to Spokane (via Oregon Coast/Columbia River/Snake River), then jet plane back east (Ithaca, Westfield Mass.), return to Spokane and back down to Humboldt County (approx same route as up).

Rolleicord, out-dated TMax400 and 400Tri-X, HC-110, Dil.B, 74F 8minutes, give or take a minute. I never got out the 8x10 (the 8x10 did not go back east on the plane).

I am printing some of the negatives today. (Platinum/palladium)

Editted -- done printing (12+ hrs later). Twenty-five little 2 1/4 square prints! A shadow self-portrait on top of a mountain:
 

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Rolleiflex 35 w/Tessar, made in Germany, and Rolleiflex TLR w/Tessar. Shot XP2+ in 35, and GP3 in TLR. Waiting for c-41 processing, since my scanner is kaput. The lab can scan my own processed 120.
 
empire state 11x14, hand coated and ilford mg 8x10 and faux ilford mg 11x14
not processed yet but will be in coffee and dektol
 
Just started on a fresh roll of Ektar 100 in the F2AS. A couple photos taken in the St John's area of Portland, not far from Blue Moon, which was closed at the time I was there (after about 6:30 pm on Saturday).

-J
 
In my Zero Image 2000 6x6, I finished the fourth roll of 1998-vintage Kodak Pro-1000 (120 size); only one roll remains. It's taken me nearly 18 years to use up this high-speed film I bought for a special assignment back then, since I rarely shoot above ISO 200.

I've been shooting it at ISO 250, like so:

ZI-2000-6x6.2016.04.24.jpg


I'm now starting to use Lomography's "Tiger 200" 110 film in my new Pentax Auto 110.
 
Canon Rebel K2 w/ 28-90 zoom, Porter's 400, and Microdol-X 1+3 9.5 min at 77F. My 510-pyro gave a sterile look to that film, and found a lonely bag of this Microdol-X locally. Negatives are a bit thin, but definitely not sterile. My neighbor Rambo:

canonk2rebel062 (850 x 555).jpg
 
Apparently I attempted to develop my latest roll of Kentmere 100 in distilled water. It was supposed to be a test roll of the last lens from my granddad, Minolta 50mm f2 on my SRT102.
 
Apparently I attempted to develop my latest roll of Kentmere 100 in distilled water. It was supposed to be a test roll of the last lens from my granddad, Minolta 50mm f2 on my SRT102.

Adding some developer to the distilled water may help. :tongue:
 
I'm excited to process a roll of Kentmere 400 that I have exposed in the plastic piece of crap Lomo Diana, with a 35mm kit attached.

Crappy cameras are fun, and I enjoy letting go of some of the controls I otherwise use. I think it's cool that the waterhouse type stops in the Diana also features a pinhole, or essentially a very small aperture since we're still shooting through the lens.

If this works with little to no light leaks I bought 10 rolls of Fuji 400 C-41 film that I intend on having fun with.
 
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