As a newby nobody new to TMAX 400 in 120 and yes, lovin' it, I am rather dismayed by the story and it's continuing life. Reading the Kodak Alaris story on Emulsive.org gives a rather thin feeling to the company. I know Harman Technology isn't exactly deep on personnel either.... these are all sort of private equity driven restarts in many ways. But it is frustrating to see/hear that Kodak Alaris in particular isn't following Harman's (Ilford's) more open and communicative model, and as much as my narrow testing has been pushing me to use TMAX-400 more and more as a standard film, I'm somewhat now more hesitant. In returning to film and 35mm initially this year, I staked down ILFORD as my standard go-to simply on the basis that it had no other options and would be fully committed, all-in. Yes, I still have two 35mm bulk loads of FP4+ and HP5+ running, and love the stuff. But with shooting 120, I opened the box and TMAX has been surprisingly beautiful. Beautiful enough to make a guy rethink some his pre-planned prejudices. This story.... well... what can I say? Seems to be that it SHOULD be old news, but the fact that it's not has me more puzzled than I want to be. Gimme a simple answer! History or not?