Below is the part. It is commonly referred to as a bellows because in between the top and bottom metal rings is a piece of clothe that folds in and out as the lens is retracted and extended (not for sale).
The discussion of velvet and such will get you nowhere on this model. It is not built like most other Rolleis (similar bellows are on the TeleRollei and some models of the 3.5F Rollei, not sure if it was random selection, using up parts, or what on Rollei's part). I've made new bellows like this using material cut from a changing bag. If you want a template file or a new piece of clothe, send me a note.
All in all I would send it back. Lots going wrong in that camera and you haven't even opened it up yet. If you haven't taken the lens panel off of a early '50s Rolleiflex before, the C is not a good model to learn on. More fussy than others, a few unusual decisions like the bellows, etc. Get an MX Automat and work on it first.
I may have spoke too soon. I think I may have one of the viewing cells in backwards or not sitting right. The view is blurred on longer distance. Anyone have a diagram of the cell placement on the viewing lens?
Thanks I will. I don't remember if the middle element was the same on both sides.Flip the rear element.
Mine is an 80mm f2.8Searching for Heidosmat lens diagram I get this in google pictures:
View attachment 234858.
its a 75mm f2.8. Note that the rear of the center element has clipped corners.
That works fine. Infinity stop is easier to keep aligned, you can always check the lens is still on the infinity stop, and your infinity obect does not change when your camera moves a few cm's.I want to ask another question about focus on the Rolleiflex. Everybody says to adjust focus for infinity but why can't you adjust focus for say 3.5 or 4 feet? If it's sharp there won't infinity be sharp? The reason for question is after I removed the viewing lens to clean it, obviously focus was off when I re-installed it. So what I did was to place an old Rolleicord focus screen on the film plane and checked focus at 3.5 ft and then checked through the viewfinder and just kept moving the viewing lens in until it was focused. I did this on a previous Rolleiflex that I sold and the pictures off that camera were sharp as can be. Adjusting for infinity is difficult where I live because it's hard to get a clear shot of something that's at least a mile away and I don't want to have to do this in winter for obvious reasons.
Do you happen to know how I should release the tabs that hold the baffle onto the body. Should they be done before I remove the front assembly?Changing bags are rubberized nylon or cotton and will be a good source of repair material if you have a bad bag provided the rubber is not failing off or you use a section that has pin holes. Use contact cement such as Pliobobd
https://www.amazon.com/W-J-Ruscoe-P-612-LV-Multi-Purpose/dp/B004JOYXR4/ref=sr_1_3?crid=V7FRPRQQEXJS&keywords=pliobond+contact+cement&qid=1574288197&sprefix=pliobond,aps,251&sr=8-3 which remains flexible when dry and any excess rubs off.
Follow the disassembly instructions for the 2.8 E in the manual link I provided in post 31. You have the skills, time to get some experience.
The shims stick to the back side of the plate or the surface they sit on. Loosen all mount screws, 2 or 3 turns, remove one screw and slide the shim out, put it on a piece of painters tape, fold the tape over and label it as to which position it was in. Repeat for the remaining screws.
Hi there. So I wonder how your lens adventure worked out. Did you repair the lens? I'm asking because I have the same issue at hand. Was wondering if UV cured glue used for cel phone screens would be effective for regluing optical elements of classic lenses. Unfortunately, it's the only kind of glue available where I live ..
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