That's been my philosophy as well, but I've come across a film from the czech republic that is significantly cheaper than Ilford's (about $1 a sheet for 4x5) so it is tempting... But Ilford has been producing quality products and really I feel I should support them. My cheapness is fighting with my gratitude.My photographs are important to me, so I would rather pay more money for:
Consistent resultsTherefore I stick with Kodak and Ilford. On the rare occasion when I need a special type of film that neither makes, I will then explore other brands.
Reliable products
Reliable product sources
Results that I want.
Cheaper than Ilford's Kentmere? No kidding?
It's not necessarily about 4x5 film. I started the thread though so I just began with what was currently relative to me, which is 4x5. Please feel free though to provide your own experiences with other formats. I'm more interested in people's responses to the broader ethical question.I must be posting in the wrong thread. Is it all about 4x5 film here? I ditched it couple years ago. I'm talking about what in use most. 35mm film and paper.
This seems to be a very reasonable approach. For me, no 4x5 sheet film is easily available. It has to be ordered online as nobody carries it locally at all. So when I order all that separates me from ordering Ilford/kodak/fuji/arista/foma is my decision to support one brand over another.For B&W I have had relationship with Ilford and Kodak going back to the fifties, a kind of menage a trois. However I have favoured Ilford to a greater extent although I have fooled around with cheaper brands for brief periods over the years.
For colour I preferred Kodak for much of the time but have also tried many other brands on occasions. In colour I have always shot mostly colour slides so I am with Fuji as it is at present the only reliable slide film available, I hope that is about to change.
So, as others have stated, I appreciate a reliable, predictable and consistent product for most of my work. However I am prepared to look at other manufacturers products to see what they have to offer but for me they must be easily available.
I didn't realize Arista was rebranded Foma- I thought it was originally a US company that set up shop in the Czech republic. That does help with the decision as Foma does make a lot of film products. I'm just trying to support companies that will support my film habit for the long haul. I guess my intention for all of this is to try to support film in general by patronizing brands that have been around for a while and are most likely going to keep going for the longest. I just wasn't sure I was willing to deal with the large gaps in price. Foma I'm well aware of and have used some of their rebranded Holga film. They even produce X-ray film!Instead of casting the issue as a moral dilemma, maybe you could just buy some of each and decide which one you like. The Arista film in the first link is rebranded Foma from the Czech Republic, and is a reputable brand. The Regent film in the second link is halftone film not suitable for general photography.
I must be posting in the wrong thread. Is it all about 4x5 film here? I ditched it couple years ago. I'm talking about what in use most. 35mm film and paper.
Please reread post #11. "I didn't realize Arista was rebranded Foma- I thought it was originally a US company that set up shop in the Czech republic. That does help with the decision as Foma does make a lot of film products." "Foma I'm well aware of and have used some of their rebranded Holga film. They even produce X-ray film!"The way you have described your qualification for buying film, is there any reason to believe that Foma is less dedicated to film than Ilford?Foma have no other product line except analogue products as far as I know whereas Ilford do produce inkjet paper. Ilford certainly outsources its chemicals' production but I have no idea what Foma's position is.
In terms of dependency on analogue you might argue that Ferrania has placed all its eggs in one basket to a greater extent than any other company, couldn't you?
Except for what these three companies produce things are not as fully B&W in terms of dedication as might at first appear, are they?
pentaxuser
+1The Regent film in the second link is halftone film not suitable for general photography.
I'm wondering what people think about supporting certain brands that show dedication to film photography rather than purchasing from cheaper brands that likely won't be around for the duration. It may be easier to illustrate with an example than to explain it. Ilford is a company that has shown commitment to film photography throughout the years. However, you can buy film from some other brands at a considerably cheaper price on a regular basis. Do you pay the additional amount to support a company that is likely to be around until the end, or do you buy the cheaper film from a company that we'll say likely won't be in it for the long haul? Such is the dilemma that I'm in. I'd appreciate everyone's thoughts.
That P30 is a beautiful film though...I typically don't shop for film based on price. I shoot the films that deliver the output I desire. For color, that's typically Fujifilm, but not always. Sometimes for a change I would shoot Portra or Ektar. My go to black and white films were Acros and TMAX400. I've been burned bad by extremely poor quality Kodak film so dropped them completely in 120 size.
I believe that Kodak and Fuji are not going to be making film in 5 years or so, so Ilford is the one I tend to support going forward. I supported Ferrania's kickstart, but that has turned into an utter debacle.
Well, it seems like fuji will be gone soon. I also keep seeing threads about kodak's imminent demise (stock price at 5.45 or something). I think the market will find its own size- but I do think we should support companies that seem like they have a future in film.Isn't the more fundamental question.... how many manufacturers and film types do we need? I think that there are today still too many manufacturers and too many film types to make good business and thereby sustain analog photography towards the future.
I tend to agree with the OP that we should support manufacturers that are committed to analog photography. But... how many? And which ones? And which film types and formats?
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