Are you sure it’s not just the front ring rotating and not the whole front element? I had that happen once.I got lucky on ebay, for £30 I picked up an Agfa Isolette II with a Solinar 75mm F/3.5 on the front. Bellows are relatively new so no leaks and the focus needs a little energy but not that I would say is tough to move. It is very smooth.
I ran a test roll of very expired Lomography 400 through it and only a few prints were any use. I have a roll of XP2 in there right now.
Probably going to get chastised for this, but try A DROP of naphta or a cotton swap dipped in naphtha held to the crack of the helicoid, to let it wick in.
Thank you, Helge!That’s a great couple of shots. You’re good!
It's definitely focusing Helga but I can appreciate it would be easy to make the mistake you describe. Thanks for pointing that out.Are you sure it’s not just the front ring rotating and not the whole front element? I had that happen once.
It it’s good...:
Probably going to get chastised for this, but try A DROP of naphta or a cotton swap dipped in naphtha held to the crack of the helicoid, to let it wick in.
More than that will get into the lens and necessitate unscrewing of the front element.
This could help get the focus looser.
Let it evaporate over 24 hours after exercising it, and see if it helped.
If there is only some improvement try again.
Naphtha being in the refined oil family of products, I always imagined it just thinning the grease.Not going to chastise, because it's not a horrible idea, but ponder this:
When the naptha, alcohol, lighter fluid or whatever is used, it's more than capable of knocking junk loose that's been adhering because of oil, grease, sweat, grime, etc.. The question is, when it evaporates, where does the dislocated junk go? Keep in mind, anywhere it lands, that previously might have been OK because of lubricant, is now very much, un-lubricated (well, again-- where did the lubrication go? It might get broken down by the naptha, but it certainly didn't vanish from the face of the earth, or more importantly, the insides of the mechanical contraption it used to inhabit).
So I'm not saying it should never be used-- like WD-40, Duct Tape and Vice-Grips, they all have their uses-- but you need to be aware of the possible risks, and that it's no substitute for actual, careful, service.
Are you sure it’s not just the front ring rotating and not the whole front element? I had that happen once.
What’s the thoughts on the difference between true folders and strut erectors.
It’s a straight pullout thingy, pantograph mechanism like the Makina 67.I'll bite: What is a "strut erector?" Something like the back of a Mamiya Press 23?
The sharpest folder is the one that's on a tripod.
The BYOB 7 does fit my 3.5E without meter, but it is a bit snug. I need to unclip the strap. There is enough room to park my Gossen Luna Pro SBC on top of the camera. Filters fit in the zippered pocket. A Leica M is another suitable occupant.
A friend sent me this little 7. Nice little padded bag. Checking online, I was surprised how expensive they are. Really, it is not sophisticated technology or sewing.
I ended up with another one - it does fit the 3.5F and an additional, filters and hood. It's a perfect insert for my Domke F6 https://www.amazon.de/gp/product/B00L8MQK3A/ref=ppx_yo_dt_b_asin_title_o09_s00?ie=UTF8&th=1Update: No, do not try to fit a F model in this BYOB 7 bag. The plastic meter cover will be vulnerable to any external impact. Look at how snug the focus knob is on my 3.5E 'flex without a meter.
Decades ago, the Rollei case for my former 3.5F had a rigid leather cover for the meter. When I traveled, I just chucked the camera and case in a backpack, and it was more than adequately protected. Sometimes, I wrapped it with some clothing, as well.
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On topic again ...
My father-in-law used a View attachment 267950Perkeo with Vaskar 75mm f/4.5 with a stunning image quality. I did some scanning from some of his old negatives and was surprised.
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#3 Agfa Super Isolette with a Solinar lens, a variation of the Carl Zeiss Tessar
@macfred, those pictures are so fun to look at, from another time. The image quality truly is quite stunning. It makes me wonder why none of the preserved folders of today -- even ones that are spec'd higher than the humble Vaskar do not look nearly as good. My guess is shutters are all about a stop slower than we think they are, so most people are taking pictures at 1/50th when they think they are using 1/125. And the rangefinders have gone out of alignment. But perhaps the lenses are better than we think they are? It really makes me question what I think I know about folders from that era.
Super Isolette was delivered only with the Solinar 75mm F3.5Have owned a couple of them over the years. If you're not going to be enlarging to over 8x10 or 10x10 you can save a good bit of money by getting one with an 85mm f/4.5 Agnar lens. Only if enlarging to 11x14 or larger will you see the difference between the Agnar and the Solinar, and you will have to look hard to see the difference. I am not familiar with the 85mm f/4.5 Apotar. Having a rangefinder (Isolette III) is nice to have but was never a deal buster for me. I've owned probably 10 of them over the years and not one of their bellows ever leaked. Focusing can become stiff from non-use but loosens up quickly. The late model production run of the Isolette III (Mark II) with its Solinar 75mm /3.5 is worth paying a premium price for, but not the ridiculous 1K plus prices that people put them up for auction at.
This is not the first time that I have heard the claim that front cell focus lenses were designed for greatest sharpness at the hyperfocal point, but I have never been able to find any proof that this is true. I've been using folders since 1965 and I frequently use the red dot (hyperfocal) setting and get great results, so the point is a bit academic anyway.This is AFAIK a misunderstanding. The optimal focal distance for front cell focusing is set to 40x focal length.
So for a 75mm that’s about three meters.
The problems with front cell focusing only really becomes visible at close range though. About one meter for medium format. Which corresponds with the MFD of most folders.
Closer and you use diopters.
Zeiss and others used front cell because it’s easier to make precise, small and light in a folding mechanism.
Many unit focusing folders use weird workarounds to have the coveted feature. The Certo with its sliding bed, and the Mamiya 6 with its moving pressure plate. Or as with the Konica Pearl a big optical block that has to be retracted when you fold or else the camera is borked.
The 135 Retinas has a locking mechanism to prevent folding with the optical block extended. But that would probably become too fragile with the distances spanned in a MF folder.
Rarely was unit focusing really worth it though on MF folders.
You’d have a simpler, more robust camera and most likely also actually better image quality with front cell focus.
It is my understanding, that in the same way that a lens where the focal length is roughly equivalent to the diagonal of the film is easiest and cheapest to design, it also has a focus distance that it “likes” the best, that also corresponds with a multiple the focal length.This is not the first time that I have heard the claim that front cell focus lenses were designed for greatest sharpness at the hyperfocal point, but I have never been able to find any proof that this is true. I've been using folders since 1965 and I frequently use the red dot (hyperfocal) setting and get great results, so the point is a bit academic anyway.
The OP shouldn't forget the Mess Ikontas, which had uncoupled rangefinders; they were made in the 1950s and have beautiful coated lenses. I have a 524/16 (6X6, $200 purchase) and a 524/2 (6X9), $300 restored by Certo6). Both have Novars and both take great pictures.
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