Here's the three ideas presented:
1. The processes and implications of digital photography are so very different than film that it ought to be given its own name.
photography is drawing with light, it can be done with electronics like digital does, or with film, or paper, or metal or hard plastic or asphalt or without a camera just sunlight and something
to block it like leaves or an obstruction. unfortunately process peeps like
to separate instead of bring together, and see similarities as glue, instead of repellants.
digital / electronic &c photography does not need its own name anymore than pinhole
imagemaking needs its own name or shadow chasing or using light sensitive film&c needs its own name.
arguments about new vs old is so 1880s ( or maybe before that ) ... id rather be accepting than narrowing
2. An inquiry into the "essence of photography" as envisioned by others (quoted), and a question to the participants posting.
the essence of photography is about looking at, and maybe not saving images, things, projections "stuff" made from light
3. A hypothesis that photography writ large is changing in important ways compared to the mid 20th century.
as i suggested nothing about digital photography is so very different, it has made photography
a more democratic medium as envisioned by george eastman and others. its made post exposure
easier for people to do on their own. and just like the explosion of
consumer delivered photography in the 1880s-pre-digital blitz, the stuff that
constitutes good vs bad photography is still in the eye of the beholder.
there is really nothing new under the sun, and it is the same stuff different day ..
the only difference is that the sticker in the window says 86 miles per gallon city and most people only get 12.2 downhill